{"id":4010,"date":"2026-11-01T14:24:36","date_gmt":"2026-11-01T14:24:36","guid":{"rendered":"https:\/\/www.berlin-weekly.com\/?p=4010"},"modified":"2026-11-01T14:29:01","modified_gmt":"2026-11-01T14:29:01","slug":"window-186","status":"publish","type":"post","link":"https:\/\/www.berlin-weekly.com\/?p=4010","title":{"rendered":"Window 186"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\" id=\"block-db9c19a0-4129-4b40-ac07-b74833c44238\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"990\" src=\"https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Fenster-klein.jpg\" alt=\"\" class=\"wp-image-4011\" srcset=\"https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Fenster-klein.jpg 710w, https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Fenster-klein-500x697.jpg 500w, https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Fenster-klein-108x150.jpg 108w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<p id=\"block-b1fa7ca4-8e3a-4b01-9e2c-6507ca45a754\"><strong>embodiment \u2013 a performative closed-circuit sculpture <\/strong>by <a href=\"https:\/\/chabrowski.info\" target=\"_blank\" rel=\"noreferrer noopener\">Yvon Chabrowski<\/a> in cooperation with creative developer Fabian T\u00f6pfer, 2026<\/p>\n\n\n\n<p>Projektion auf frei h\u00e4ngender Projektionsfl\u00e4che, kein Sound, Monitor, Programmierung, KI- und 3D-Technologie,&nbsp;50 Zoll Monitor, farbiges Licht<\/p>\n\n\n\n<p>embodiment is a fluid digital body application. Camera-based and AI-driven technologies capture the bodies and movements of viewers, transforming the data in real time into a fluid digital projection. Within a defined area of the image space, these technologies focus on a single body moving through public space, transforming its movements into a fluid digital body projection. Try it out for yourself. The data is not stored.<\/p>\n\n\n\n<p>embodiment ist eine fluide digitale K\u00f6rper-Anwendung bzw. Projektion. Kamera- und KI-gest\u00fctzte Technologien erfassen den K\u00f6rper der Betrachtenden. Dabei fokussiert die Technologie innerhalb eines definierten Raums im Bildraum auf nur einen K\u00f6rper, der sich im \u00f6ffentlichen Raum bewegt und transformiert dessen Bewegungen in eine fluide digitale K\u00f6rperprojektion. Der gelebte K\u00f6rper wird dabei zum Ausgangspunkt einer ver\u00e4nderlichen, digitalen Verk\u00f6rperung \u2013 direkt im Moment der Begegnung. Dabei werden keine personenbezogenen Daten gespeichert und kein Material aufgezeichnet. L\u00e4sst sich digitale K\u00f6rperlichkeit denken, ohne die Parameter von Kontrolle, Optimierung oder Verwertung zu kennen?<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/gut-video1-marina.mov\"><\/video><\/figure>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>embodiment \u2013 a performative closed-circuit sculpture by Yvon Chabrowski in cooperation with creative developer Fabian T\u00f6pfer, 2026 Projektion auf frei h\u00e4ngender Projektionsfl\u00e4che, kein Sound, Monitor, Programmierung, KI- und 3D-Technologie,&nbsp;50 Zoll Monitor, farbiges Licht embodiment is a fluid digital body application. Camera-based and AI-driven technologies capture the bodies and movements of viewers, transforming the data in &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.berlin-weekly.com\/?p=4010\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 186\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-4010","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/4010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4010"}],"version-history":[{"count":3,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/4010\/revisions"}],"predecessor-version":[{"id":4024,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/4010\/revisions\/4024"}],"wp:attachment":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}