{"id":3832,"date":"2025-01-07T09:21:39","date_gmt":"2025-01-07T09:21:39","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3832"},"modified":"2025-01-07T09:21:39","modified_gmt":"2025-01-07T09:21:39","slug":"window-173","status":"publish","type":"post","link":"https:\/\/www.berlin-weekly.com\/?p=3832","title":{"rendered":"Window 173"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\" id=\"block-db9c19a0-4129-4b40-ac07-b74833c44238\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"872\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-ganzes-FensterIMG_8489.jpg\" alt=\"\" class=\"wp-image-3833\" srcset=\"https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-ganzes-FensterIMG_8489.jpg 710w, https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-ganzes-FensterIMG_8489-500x614.jpg 500w, https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-ganzes-FensterIMG_8489-122x150.jpg 122w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<p id=\"block-b1fa7ca4-8e3a-4b01-9e2c-6507ca45a754\"><strong>Plant Stress<\/strong>&nbsp;by&nbsp;<a href=\"https:\/\/www.moritzfehr.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Moritz Fehr<\/a>, 2024<br \/>(mixed media installation: video screen, photo prints, plastic tubes, MDF,&nbsp;colored lights)<\/p>\n\n\n\n<p>In the installation&nbsp;Plant Stress,&nbsp;Moritz Fehr engages with the term of the same name, which is borrowed from&nbsp;scientific discourse and refers to unfavorable conditions or the effect of&nbsp;substances that disrupt the metabolism and growth of plants. Plant stress can&nbsp;be caused by&nbsp;various harmful environmental factors and often occurs in realms&nbsp;that can only be perceived by the human sensory system with the help of&nbsp;technical devices \u2013 one such cause of damage being exposure to excessive&nbsp;ultraviolet radiation.<\/p>\n\n\n\n<p>Fehr\u2019s video&nbsp;and photo series are exclusively filmed and photographed in the ultraviolet&nbsp;spectrum. They show the&nbsp;cultural gesture&nbsp;of sunscreen application: an act that is usually&nbsp;performed to protect human skin from damaging solar radiation \u2013 in this work it&nbsp;is transferred to&nbsp;various plants. The sunscreen, itself a harmful factor for&nbsp;the environment, forms a shimmering dark layer on the plants, protecting them&nbsp;from the incoming UV rays. Since this protective shield absorbs the UV light,&nbsp;it appears black and thus lets the depicted flowers and leaves to&nbsp;disappear.<\/p>\n\n\n\n<p>The work&nbsp;is&nbsp;a metaphor for the question whether it is possible to behave emphatically&nbsp;towards nature: on the one hand, when it is already completely permeated and&nbsp;modified by human impact, and on the other, when natural processes are&nbsp;disturbed in ways that elude the&nbsp;human perceptual apparatus and thus standards&nbsp;or references for a direct engagement are unavailable.<\/p>\n\n\n\n<p>Special thanks to Prof. Marcel Jansen, School of Biological, Earth and&nbsp;Environmental Sciences, UCC University College Cork, Ireland.&nbsp;<br \/>Plant Stress&nbsp;(SPF 50) was created during a Glenkeen Garden Residency of the Crespo&nbsp;Foundation (Frankfurt a.M.) in West Cork, Ireland.<\/p>\n\n\n\n<p>Video:&nbsp;Plant Stress (SPF 50),&nbsp;2022, single-channel HD video, no sound, 42:00 min.<br \/>Photos:&nbsp;Plant Stress&nbsp;(SPF&nbsp;30),&nbsp;2024, seven-part&nbsp;photo series, 80cm x 60cm.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>Plant Stress&nbsp;by&nbsp;Moritz Fehr, 2024(mixed media installation: video screen, photo prints, plastic tubes, MDF,&nbsp;colored lights) In the installation&nbsp;Plant Stress,&nbsp;Moritz Fehr engages with the term of the same name, which is borrowed from&nbsp;scientific discourse and refers to unfavorable conditions or the effect of&nbsp;substances that disrupt the metabolism and growth of plants. Plant stress can&nbsp;be caused by&nbsp;various harmful &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.berlin-weekly.com\/?p=3832\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 173\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3832","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3832"}],"version-history":[{"count":2,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3832\/revisions"}],"predecessor-version":[{"id":3840,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3832\/revisions\/3840"}],"wp:attachment":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}