{"id":3624,"date":"2023-11-30T06:52:34","date_gmt":"2023-11-30T06:52:34","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3624"},"modified":"2023-11-30T06:56:38","modified_gmt":"2023-11-30T06:56:38","slug":"window-165","status":"publish","type":"post","link":"https:\/\/www.berlin-weekly.com\/?p=3624","title":{"rendered":"Window 165"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\" id=\"block-db9c19a0-4129-4b40-ac07-b74833c44238\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"875\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/ganzes-Fester-klein_DSC6128.jpg\" alt=\"\" class=\"wp-image-3625\" srcset=\"https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/ganzes-Fester-klein_DSC6128.jpg 700w, https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/ganzes-Fester-klein_DSC6128-500x625.jpg 500w, https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/ganzes-Fester-klein_DSC6128-120x150.jpg 120w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p id=\"block-b1fa7ca4-8e3a-4b01-9e2c-6507ca45a754\"><strong><\/strong><strong>Losing Eden&nbsp;<\/strong>von <a href=\"https:\/\/www.charyswilson.com\" target=\"_blank\" rel=\"noreferrer noopener\">Charys Wilson<\/a><\/p>\n\n\n\n<p>Die Lichtinstallationen der irischen K\u00fcnstlerin Charys Wilson erforschen Wege der Illusion, der Mimikry und des Schattens, w\u00e4hrend sie gleichzeitig eine kontemplative Zeit f\u00fcr die Wertsch\u00e4tzung der in unserem t\u00e4glichen Leben h\u00e4ufig \u00fcbersehenen Aspekte der&nbsp;Natur erm\u00f6glichen. F\u00fcr die Ausstellung bei Berlin-Weekly hat sie den Raum in ein Gew\u00e4chshaus verwandelt, das mit Pflanzen gef\u00fcllt ist, die sie aus recycelten Materialien hergestellt hat. In unserer Zeit der Klimakrise ist das&nbsp;Gew\u00e4chshaus sowohl ein Symbol f\u00fcr die zerst\u00f6rerische Kraft der Menschheit und die globale Erw\u00e4rmung als auch f\u00fcr unsere F\u00e4higkeit, die nat\u00fcrliche Welt zu hegen und zu pflegen.&nbsp;Die Ausstellung ist kuratiert von Anna Ratcliffe.<\/p>\n\n\n\n<p>english\u00a0<br \/>\u00a0<br \/>Charys Wilson is a visual artist from Northern Ireland who aims to rekindle the viewer&#8217;s curiosity in the natural world. Wilson&#8217;s light installations explore ways of illusion, mimicry and shadow, while allowing a contemplative time for appreciation of aspects of nature often overlooked in our daily lives. For the exhibition at Berlin-Weekly, she has transformed the space\u00a0into a greenhouse filled with plants that she has created from recycled materials. In our time of climate crisis, the greenhouse acts as both a symbol of\u00a0humanity&#8217;s destructive power and global warming, as well as our ability to nurture and care for the natural world.\u00a0The exhibition is curated by Anna Ratcliffe.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n\n\n\n<p>Photos: Jeremy Knowles<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Losing Eden&nbsp;von Charys Wilson Die Lichtinstallationen der irischen K\u00fcnstlerin Charys Wilson erforschen Wege der Illusion, der Mimikry und des Schattens, w\u00e4hrend sie gleichzeitig eine kontemplative Zeit f\u00fcr die Wertsch\u00e4tzung der in unserem t\u00e4glichen Leben h\u00e4ufig \u00fcbersehenen Aspekte der&nbsp;Natur erm\u00f6glichen. F\u00fcr die Ausstellung bei Berlin-Weekly hat sie den Raum in ein Gew\u00e4chshaus verwandelt, das mit Pflanzen &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.berlin-weekly.com\/?p=3624\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 165\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3624","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3624"}],"version-history":[{"count":3,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3624\/revisions"}],"predecessor-version":[{"id":3638,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3624\/revisions\/3638"}],"wp:attachment":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}