{"id":3185,"date":"2020-10-31T07:10:35","date_gmt":"2020-10-31T07:10:35","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3185"},"modified":"2020-10-31T07:10:35","modified_gmt":"2020-10-31T07:10:35","slug":"window-138","status":"publish","type":"post","link":"https:\/\/www.berlin-weekly.com\/?p=3185","title":{"rendered":"Window 138"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\" id=\"block-cbf452d7-f07f-4944-87f7-0c8e600794dd\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"878\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Fenster-klein-DSC02802-copy.jpg\" alt=\"\" class=\"wp-image-3186\" srcset=\"https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Fenster-klein-DSC02802-copy.jpg 710w, https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Fenster-klein-DSC02802-copy-500x618.jpg 500w, https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Fenster-klein-DSC02802-copy-121x150.jpg 121w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<p id=\"block-3116a3ca-e49e-4218-9f24-d22409502678\"><strong>MIND SO FAST &#8211; BODY SO SLOW by <a href=\"http:\/\/www.lukastroberg.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lukas Troberg<\/a>, 2020<\/strong><\/p>\n\n\n\n<p>Die kinetische Wandskulptur \u201aROTATION (ANGST)\u2018 besteht aus einem an&nbsp;ein Aluminiumger\u00fcst montierten \u00fcbergro\u00dfen schwarzen Schriftzug, der, scheinbar&nbsp;fehlerhaft installiert, schr\u00e4g, aus dem Lot geraten scheint.<br \/>Doch was sich auf den ersten Blick als ungl\u00fcckliche, aus den Fugen&nbsp;geratene H\u00e4ngung einer zum in ein und der selben Position Verharren bestimmten&nbsp;Konstruktion ausnimmt, stellt sich im Gegenteil als Bewegung heraus, n\u00e4mlich&nbsp;als schwerf\u00e4llige,&nbsp;mechanische, \u00e4u\u00dferst langsame Rotation um die eigene Mittelachse;&nbsp;so langsam, dass sie f\u00fcr Betrachtende kaum wahrzunehmen ist.<br \/>Genau eine Umdrehung vollzieht das Wort in 24 Stunden, also in der&nbsp;gleichen Zeit, welche die Erde f\u00fcr eine solche ben\u00f6tigt. So findet man je nach&nbsp;Tageszeit den Schriftzug entweder gerade oder mal weniger, mal mehr schief oder&nbsp;gar auf dem Kopf stehend vor.<br \/>Diese Bewegung in Anspielung auf die Erdrotation wirft die Frage&nbsp;auf, ob der Begriff sich selbst um die eigene Achse oder der Rest der Welt sich&nbsp;um diesen dreht. Existierende Bezugssysteme werden verschoben, umgekehrt, auf&nbsp;den Kopf gestellt.<\/p>\n\n\n\n<p id=\"block-89d7361e-ddcd-4000-a788-57fe0fa82f7b\">englisch<\/p>\n\n\n\n<p>The kinetic wall sculpture &#8218;ROTATION (ANGST)&#8216; consists of an&nbsp;oversized black lettering mounted on an aluminium frame, which, apparently&nbsp;incorrectly installed, seems to be out of balance.<br \/>But what at first glance appears to be an unfortunate, out-of-joint&nbsp;suspension of a construction intended to remain in one and the same position&nbsp;turns out to be a movement, namely a cumbersome, mechanical, extremely slow&nbsp;rotation around its own central axis;&nbsp;so slow that it is hardly perceptible to&nbsp;the viewer.<br \/>The word completes exactly one full rotation in 24 hours, the same&nbsp;time it takes the earth to make one. Thus, depending on the time of day, one&nbsp;finds the writing either straight or sometimes less, sometimes more crooked or&nbsp;even upside down. This motion raises the question of the lettering itself rotating&nbsp;around its own centerline or&nbsp;the rest of the world doing so around it. It&#8217;s a shift, a reversion of existing paradigms, turning them upside down.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>MIND SO FAST &#8211; BODY SO SLOW by Lukas Troberg, 2020 Die kinetische Wandskulptur \u201aROTATION (ANGST)\u2018 besteht aus einem an&nbsp;ein Aluminiumger\u00fcst montierten \u00fcbergro\u00dfen schwarzen Schriftzug, der, scheinbar&nbsp;fehlerhaft installiert, schr\u00e4g, aus dem Lot geraten scheint.Doch was sich auf den ersten Blick als ungl\u00fcckliche, aus den Fugen&nbsp;geratene H\u00e4ngung einer zum in ein und der selben Position Verharren &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.berlin-weekly.com\/?p=3185\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 138\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3185","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3185"}],"version-history":[{"count":3,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3185\/revisions"}],"predecessor-version":[{"id":3201,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3185\/revisions\/3201"}],"wp:attachment":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}