{"id":2103,"date":"2017-01-28T13:56:15","date_gmt":"2017-01-28T13:56:15","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=2103"},"modified":"2020-03-03T13:32:08","modified_gmt":"2020-03-03T13:32:08","slug":"week-102","status":"publish","type":"post","link":"https:\/\/www.berlin-weekly.com\/?p=2103","title":{"rendered":"Window 102"},"content":{"rendered":"

 <\/h2>\n

\"windowy<\/a>
\nDie Verwandlung by Akihiro Yamamoto <\/strong>
\nVideoinstallation, sankakudo.web.fc2.com<\/a><\/p>\n

Dies ist die erste Solo Ausstellung des in Berlin lebenden japanischen K\u00fcnstlers Akihiro Yamamoto.
\nDie Installation \u201cdie Verwandlung\u201d ist inspiriert von Kafkas Novelle gleichen Namens.
\nDie sich ab und zu langsam bewegende Spinne erscheint in dem Berlin-Weekly Fenster in menschlicher Gr\u00f6\u00dfe. Jedoch gibt es keinen Grund Angst zu haben, denn sie ist genauso harmlos wie Samsa, der Protagonist von Kafkas Novelle \u201cdie Verwandlung\u201d. Sie wartet wie wir auf den Fr\u00fchling.<\/p>\n

Die Verwandlung is inspired by Franz Kafka’s novel of the same name.
\nIt is the first solo exhibition of the Berlin based Japanese artist Akihiro Yamamoto. The slowly moving spider that inhabits the Berlin-Weekly space is projected to appear in human size. But there is no need to be afraid of it though, it is harmless, just like Samsa, the main character of Kafka\u2019s \u201cDie Verwandlung\u201d. Like us, it is waiting for spring to come.<\/p>\nngg_shortcode_0_placeholder\n

Merken<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

  Die Verwandlung by Akihiro Yamamoto Videoinstallation, sankakudo.web.fc2.com Dies ist die erste Solo Ausstellung des in Berlin lebenden japanischen K\u00fcnstlers Akihiro Yamamoto. Die Installation \u201cdie Verwandlung\u201d ist inspiriert von Kafkas Novelle gleichen Namens. Die sich ab und zu langsam bewegende Spinne erscheint in dem Berlin-Weekly Fenster in menschlicher Gr\u00f6\u00dfe. Jedoch gibt es keinen Grund Angst zu … <\/p>\n

\u201eWindow 102\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2103","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2103"}],"version-history":[{"count":5,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2103\/revisions"}],"predecessor-version":[{"id":2829,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2103\/revisions\/2829"}],"wp:attachment":[{"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}