{"id":944,"date":"2011-04-13T07:11:11","date_gmt":"2011-04-13T07:11:11","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=944"},"modified":"2020-03-03T14:06:09","modified_gmt":"2020-03-03T14:06:09","slug":"week-26","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=944","title":{"rendered":"Window 26"},"content":{"rendered":"<h1>&nbsp;<\/h1>\n<p>&nbsp;<\/p>\n<h1>&nbsp;<\/h1>\n<div id=\"_mcePaste\"><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/photo26.jpg\" rel=\"lightbox[944]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-945\" title=\"photo26\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/photo26-500x635.jpg\" alt=\"\" width=\"500\" height=\"635\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/photo26-500x635.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/photo26-117x150.jpg 117w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/photo26.jpg 710w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><br \/>\n<strong>\u2019DESK\u2019 by Daniela Friebel &nbsp;<\/strong><br \/>\n2011 <a href=\"http:\/\/www.danielafriebel.de\" target=\"_blank\" rel=\"noopener\">www.danielafriebel.de<\/a>&nbsp;<\/p>\n<\/div>\n<div id=\"_mcePaste\">Daniela Friebels installation \u2018desk\u2019 is a drawing constructed on a grid of very thin nylon thread and black drinking straws cutting the gallery space &nbsp;into half . Similar to her other site specific installations she plays with both the perception and the &nbsp;perspective of the viewer&nbsp;as well as with the construction of images.<\/div>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; \u2019DESK\u2019 by Daniela Friebel &nbsp; 2011 www.danielafriebel.de&nbsp; Daniela Friebels installation \u2018desk\u2019 is a drawing constructed on a grid of very thin nylon thread and black drinking straws cutting the gallery space &nbsp;into half . Similar to her other site specific installations she plays with both the perception and the &nbsp;perspective of the &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=944\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 26\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-944","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=944"}],"version-history":[{"count":8,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/944\/revisions"}],"predecessor-version":[{"id":2913,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/944\/revisions\/2913"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=944"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}