{"id":901,"date":"2011-02-07T17:31:13","date_gmt":"2011-02-07T17:31:13","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=901"},"modified":"2020-03-03T14:07:39","modified_gmt":"2020-03-03T14:07:39","slug":"week-22","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=901","title":{"rendered":"Window 22"},"content":{"rendered":"<h1>&nbsp;<\/h1>\n<p><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/week-221.jpg\" rel=\"lightbox[901]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-902\" title=\"week 22\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/week-221-500x657.jpg\" alt=\"\" width=\"500\" height=\"657\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/week-221-500x657.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/week-221-114x150.jpg 114w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/week-221.jpg 710w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<div>\n<div id=\"_mcePaste\"><strong>&#8218;ITS TOASTED&#8216; von Sebastian Bieniek<\/strong><br \/>\n<a href=\"http:\/\/www.sebastianbieniek.com\" target=\"_blank\" rel=\"noopener\">www.sebastianbieniek.com<\/a>&nbsp;<\/p>\n<\/div>\n<div id=\"_mcePaste\">Kunst und Werbung haben heute viele Gemeinsamkeiten. Eine davon ist, dass beide sich im Ged\u00e4chtnis des Betrachters einbrennen wollen.&nbsp;Haben sie dies, auf welcher Art auch immer, geschafft, dann sind sie erfolgreich. Mich interessiert insbesondere das Absurde darin: die Tatsache, dass es gar keine Rolle spielt, wodurch und womit man sich bemerkbar macht, ob es wahr oder gelogen ist.&nbsp;Die Zigarettenmarke Lucky Strike geh\u00f6rte zu den erfolgreichsten Werbeikonen. Das ber\u00fchmteste Werbeslogan der Marke ist: &#8222;Lucky strike &#8211; it&#8217;s toasted&#8220;. Dies sagt zwar nicht \u00fcber die spezielle Zigarettenmarke aus (alle Zigaretten sind getoastet), aber man merkt es sich und verbindet es untrennbar, wie ein Link, mit der Zigarettenmarke.&nbsp;Ich spiele in meiner Arbeit mit derart Strategien, indem ich sie hinterfrage, auf den Arm nehme, reflektiere und konterkariere.<\/div>\n<div id=\"_mcePaste\">&#8218;ITS TOASTED&#8216; &nbsp;by Sebastian Bieniek <a href=\"http:\/\/www.sebastianbieniek.com\" target=\"_blank\" rel=\"noopener\">www.sebastianbieniek.com<\/a><br \/>\nArt and advertisement have in some aspects a lot in common. One is trying to brand their name into the minds of the viewer. If they have succeeded in this, they will be successfull. I am particulary interested in the absurdity: it neither matters how and by which means one draws attention nor if their statements are true or false.<\/div>\n<div id=\"_mcePaste\">The cigarette label Lucky Strike belongs to one of the most successful icons<\/div>\n<div id=\"_mcePaste\">of advertisement. Their best known slogan is \u201dLucky Strike \u2013 it\u2019s toasted\u201c. This statement doesn\u2019t tell us anything about this spezial cigarette (all cigarettes are toasted), but it brands itself like a link into the mind.<\/div>\n<div id=\"_mcePaste\">In my work I am playing with such stragedies by bringing them into question, reflecting and foiling them.<\/div>\n<\/div>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &#8218;ITS TOASTED&#8216; von Sebastian Bieniek www.sebastianbieniek.com&nbsp; Kunst und Werbung haben heute viele Gemeinsamkeiten. Eine davon ist, dass beide sich im Ged\u00e4chtnis des Betrachters einbrennen wollen.&nbsp;Haben sie dies, auf welcher Art auch immer, geschafft, dann sind sie erfolgreich. Mich interessiert insbesondere das Absurde darin: die Tatsache, dass es gar keine Rolle spielt, wodurch und womit &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=901\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 22\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-901","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=901"}],"version-history":[{"count":4,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/901\/revisions"}],"predecessor-version":[{"id":2917,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/901\/revisions\/2917"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=901"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}