{"id":796,"date":"2011-01-19T21:14:29","date_gmt":"2011-01-19T21:14:29","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=796"},"modified":"2020-03-03T14:00:52","modified_gmt":"2020-03-03T14:00:52","slug":"week-21-2","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=796","title":{"rendered":"Window 21"},"content":{"rendered":"<h1>&nbsp;<\/h1>\n<p><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/monika3.jpg\" rel=\"lightbox[796]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-797\" title=\"monika3\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/monika3-500x640.jpg\" alt=\"\" width=\"500\" height=\"640\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/monika3-500x640.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/monika3-117x150.jpg 117w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/monika3.jpg 799w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><br \/>\n<strong>&#8217;nothing gets lost&#8216; by Monika Huber<\/strong><\/p>\n<p>In den 80erJahren wurde Monika Huber mit Ihren Bildinstallationen bekannt. Verschiedene Materialien wurden zu einem Bild im Raum montiert &#8211; der Raum wurde zentraler Bestandteil des Bildes.<br \/>\nIn der Installation \u201enothing gets lost\u201c bezieht Monika Huber sich wieder auf jene Bildwerke, jedoch unter Verwendung von neueren Materialien, bemaltem Plexiglas. Die Bilder der Reihe \u201em\u00e4ander, mirror und schnee\u201c werden sozusagen dekonstruiert und in einen neuen Zusammenhang gef\u00fcgt. Die Spiegelwirkung durch die Glasfl\u00e4chen kommt als neues Wahrnehmungselement hinzu. Egal, in welche Richtung ein Bild angelegt wird, ob zu einem fertigen Bild oder zu einem fragmentierten Bild, die R\u00e4umlichkeiten im Bild werden stets neu definiert.<br \/>\nIn the 80s Monika Huber became known with her picture installations: different materials were assembled to a picture in the&nbsp; space &#8211; the space becomes a central component of the picture.<br \/>\nIn the installation &#8222;nothing gets lost&#8220; Monika Huber again refers to her former works, however, under use of a newly added material, painted Perspex. The pictures of the series &#8222;m\u00e4ander, mirror and snow&#8220; are deconstructed and assembled into a new context. The reflecting effect of the glass surfaces is also&nbsp; a new element of perception. Regardless of the direction into which a picture is structured or whether it is&nbsp; assembled to a finished or to a fragmented picture, the space in the picture becomes always newly defined.<\/p>\n<p><a href=\"http:\/\/www.monikahuber.com\" target=\"_blank\" rel=\"noopener\">www.monikahuber.com<\/a><br \/>\nngg_shortcode_0_placeholder<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &#8217;nothing gets lost&#8216; by Monika Huber In den 80erJahren wurde Monika Huber mit Ihren Bildinstallationen bekannt. Verschiedene Materialien wurden zu einem Bild im Raum montiert &#8211; der Raum wurde zentraler Bestandteil des Bildes. In der Installation \u201enothing gets lost\u201c bezieht Monika Huber sich wieder auf jene Bildwerke, jedoch unter Verwendung von neueren Materialien, bemaltem &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=796\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 21\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-796","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=796"}],"version-history":[{"count":10,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/796\/revisions"}],"predecessor-version":[{"id":2900,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/796\/revisions\/2900"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=796"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}