{"id":3858,"date":"2025-03-27T13:35:09","date_gmt":"2025-03-27T13:35:09","guid":{"rendered":"https:\/\/www.berlin-weekly.com\/?p=3858"},"modified":"2025-03-27T13:37:44","modified_gmt":"2025-03-27T13:37:44","slug":"window-175","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=3858","title":{"rendered":"Window 175"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\" id=\"block-db9c19a0-4129-4b40-ac07-b74833c44238\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"866\" src=\"https:\/\/www.berlin-weekly.com\/wp-content\/uploads\/kleinFenster-RamosIMG_9843.jpg\" alt=\"\" class=\"wp-image-3859\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/kleinFenster-RamosIMG_9843.jpg 710w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/kleinFenster-RamosIMG_9843-500x610.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/kleinFenster-RamosIMG_9843-123x150.jpg 123w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<p id=\"block-b1fa7ca4-8e3a-4b01-9e2c-6507ca45a754\"><strong>LOKAL BLINDNESS<\/strong> by <a href=\"https:\/\/alfredoramosfern-6nmc1sn8mn.live-website.com\" target=\"_blank\" rel=\"noreferrer noopener\">Alfredo Ramos Fernandez<\/a><\/p>\n\n\n\n<p>Local Blindness ist eine&nbsp;k\u00fcnstlerische Auseinandersetzung mit der Spannung zwischen Privatheit und&nbsp;\u00f6ffentlichem Leben. Eine Jalousie kann die Au\u00dfenwelt entweder abschirmen oder&nbsp;sie&nbsp;filtern und Einblicke in die Umgebung erm\u00f6glichen. Der kubanische Fotok\u00fcnstler&nbsp;&nbsp;Alfredo&nbsp;Ramos Fern\u00e1ndez&nbsp;verwendet Jalousien als Bildtr\u00e4ger&nbsp;f\u00fcr seine Fotos, welche Spuren von&nbsp;Massenveranstaltungen wie Demonstrationen,&nbsp;Silvesterparty,&nbsp;&nbsp;Fanmeilen etc.&nbsp;festhalten&nbsp;&nbsp;. Diese Spuren von Momenten&nbsp;kollektiver Katharsis, in denen sich Menschen oft freier ausdr\u00fccken,&nbsp;werden&nbsp;durch die Jalousien gefiltert. Dadurch entsteht sowohl ein Spiel zwischen&nbsp;Innen- und Au\u00dfenr\u00e4umen als auch ein Kontrast zwischen dem Wunsch nach&nbsp;gemeinsamen Erlebnissen&nbsp;einerseits und dem Bed\u00fcrfnis nach R\u00fcckzug in die Privatsph\u00e4re andererseits.<\/p>\n\n\n\n<p>In&nbsp;his installation Local blindness Cuban photo artist Alfredo Ramos Fern\u00e1ndez&nbsp;uses blinds as a medium for his photographs, which capture the aftermath and&nbsp;remnants of mass events such as demonstrations, New&nbsp;Year&#8217;s Eve celebrations or&nbsp;fan zones. These traces of moments of collective catharsis, where people are&nbsp;free to express themselves in an uninhibited way, are printed onto blinds,&nbsp;creating a filter between public and&nbsp;private space and interior and exterior&nbsp;space, allowing glimpses of the surrounding. The blinds form a contrast between&nbsp;the desire for shared experience on one hand and the need for privacy and&nbsp;seclusion on the&nbsp;other.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>LOKAL BLINDNESS by Alfredo Ramos Fernandez Local Blindness ist eine&nbsp;k\u00fcnstlerische Auseinandersetzung mit der Spannung zwischen Privatheit und&nbsp;\u00f6ffentlichem Leben. Eine Jalousie kann die Au\u00dfenwelt entweder abschirmen oder&nbsp;sie&nbsp;filtern und Einblicke in die Umgebung erm\u00f6glichen. Der kubanische Fotok\u00fcnstler&nbsp;&nbsp;Alfredo&nbsp;Ramos Fern\u00e1ndez&nbsp;verwendet Jalousien als Bildtr\u00e4ger&nbsp;f\u00fcr seine Fotos, welche Spuren von&nbsp;Massenveranstaltungen wie Demonstrationen,&nbsp;Silvesterparty,&nbsp;&nbsp;Fanmeilen etc.&nbsp;festhalten&nbsp;&nbsp;. Diese Spuren von Momenten&nbsp;kollektiver Katharsis, in denen sich &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=3858\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 175\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3858","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3858"}],"version-history":[{"count":2,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3858\/revisions"}],"predecessor-version":[{"id":3870,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3858\/revisions\/3870"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3858"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}