{"id":3570,"date":"2023-07-07T13:14:00","date_gmt":"2023-07-07T13:14:00","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3570"},"modified":"2023-07-21T12:23:38","modified_gmt":"2023-07-21T12:23:38","slug":"window-161","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=3570","title":{"rendered":"Window 161"},"content":{"rendered":"\n
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Musenzauber<\/strong> von Caro Suerkemper<\/a>, 2023<\/p>\n\n\n\n

Unter dem monumentalen Kopf eines r\u00f6mischen Starmodells aus dem 19. Jh.* (einer Zeit, in der Malergenies nach Rom pilgerten, um dem klassischen Ideal zu huldigen) schwebt, seltsam verzerrt, eine Puppenstube \u2013 ein Schlafzimmer im Stil der 1950er Jahre. Da die „Muse“ etwas schielt, ist nicht ganz klar, ob sie in das Schlafzimmer blickt oder von dessen Anblick animiert wurde, ins Innere ihrer selbst zu schauen. 
Das Schlafzimmer ist ein Symbol f\u00fcr das Intime und die Welt der Tr\u00e4ume. Mit dem Doppelbett, den Nachttischen und der Frisierkommode steht das Zimmer aber auch f\u00fcr eine konventionelle Gesellschaftsordnung, die klare Verhaltensstrukturen vorgibt. 
Beide Modelle vermitteln uns idealisierte Vorstellungen und Traditionen, von denen wir wissen, dass das reale Leben sie immer wieder zunichte macht. 
 
*Anna Risi war eine R\u00f6merin aus bescheidenen Verh\u00e4ltnissen, die im 19. Jh. mehreren bedeutenden Malern Modell stand. Sie war auch die Muse und Geliebte des deutschen Malers Anselm Feuerbach.<\/p>\n\n\n\n

english<\/p>\n\n\n\n

Christina Paetsch deals with processes of perception in our society in the field of tension Beneath the monumental head of a famous model in 19th century Rome*\u00a0\u2013 a time when great painters made pilgrimages to Rome in order to pay homage to\u00a0the classical ideal \u2013 there hovers, strangely distorted, the bedroom of a\u00a0doll\u2019s house. Since the \u201cmuse\u201d is somewhat cross-eyed, it is not really clear\u00a0whether she is looking inside the bedroom or has been moved to look inside\u00a0herself.\u00a0
The bedroom is symbolic of the intimate and the world of dreams. But with its\u00a01950\u2019s double bed, night stands and dressing table, the room also represents a\u00a0conventional social order that prescribes clear behavioral structures.\u00a0Both models convey idealized\u00a0concepts and traditions that we know life continually destroys.\u00a0
\u00a0
*Anna Risi was a Roman woman from a humble background who posed for several\u00a0important painters in the 19th century. She was also the muse and mistress\u00a0of the German painter Anselm Feuerbach.\u00a0<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

Musenzauber von Caro Suerkemper, 2023 Unter dem monumentalen Kopf eines r\u00f6mischen Starmodells aus dem 19. Jh.* (einer Zeit, in der Malergenies nach Rom pilgerten, um dem klassischen Ideal zu huldigen) schwebt, seltsam verzerrt, eine Puppenstube \u2013 ein Schlafzimmer im Stil der 1950er Jahre. Da die „Muse“ etwas schielt, ist nicht ganz klar, ob sie in das Schlafzimmer blickt oder von dessen Anblick … <\/p>\n

\u201eWindow 161\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3570","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3570"}],"version-history":[{"count":4,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3570\/revisions"}],"predecessor-version":[{"id":3582,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3570\/revisions\/3582"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3570"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}