{"id":3558,"date":"2023-06-02T10:56:25","date_gmt":"2023-06-02T10:56:25","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3558"},"modified":"2023-06-02T10:57:29","modified_gmt":"2023-06-02T10:57:29","slug":"window-160","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=3558","title":{"rendered":"Window 160"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\" id=\"block-db9c19a0-4129-4b40-ac07-b74833c44238\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"881\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-ganzes-Fenster-DSC06480.jpg\" alt=\"\" class=\"wp-image-3559\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-ganzes-Fenster-DSC06480.jpg 710w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-ganzes-Fenster-DSC06480-500x620.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-ganzes-Fenster-DSC06480-121x150.jpg 121w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<p id=\"block-b1fa7ca4-8e3a-4b01-9e2c-6507ca45a754\"><strong>art-gerecht<\/strong>&nbsp;von <a href=\"http:\/\/www.christina-paetsch.de\" target=\"_blank\" rel=\"noreferrer noopener\">Christina Paetsch<\/a>, 2023<\/p>\n\n\n\n<p>Christina Paetsch besch\u00e4ftigt sich mit Wahrnehmungsprozessen unserer Gesellschaft im Spannungsfeld von Ekel und Sch\u00f6nheit, von Natur und K\u00fcnstlichkeit. Ihre Werke arbeiten mit dem Prinzip der Collage in den Aktionsfeldern Fotografie und Installation. Themen wie die die mangelnde Wertsch\u00e4tzung gegen\u00fcber Lebensmitteln in unserer \u00dcberflussgesellschaft&nbsp; interessieren sie ebenso wie der Verlust von Existenzgrundlagen, deren Folgen wir in seiner Komplexit\u00e4t kaum erkennen k\u00f6nnen.<\/p>\n\n\n\n<p>F\u00fcr&nbsp;Berlin-Weekly hat sie die Installation \u2019art-gerecht\u2019 konzipiert. Die&nbsp; auf das Fenster transferierten Gitterst\u00e4be simulieren einen gro\u00dfen K\u00e4fig. Die R\u00fcckwand ist mit einer &nbsp;Fotocollage tapeziert, die in feiner \u00c4sthetik&nbsp; verschieden Tierteile auf zartem Rosa &nbsp;gebettet darstellt. \u00dcber den Boden des Raumes f\u00fchrt eine Fototapete, welche eine steile Treppe, die zu einem&nbsp; tiefen Abgrund mit Tierabf\u00e4llen f\u00fchrt, vort\u00e4uscht.&nbsp;Die Installation in dem der \u00d6ffentlichkeit zugewandten Schaufenster l\u00f6st bei den Passanten ein Gef\u00fchl zwischen anziehender \u00c4sthetik, Abscheu und Nachdenklichkeit hervor.&nbsp;<\/p>\n\n\n\n<p>english<\/p>\n\n\n\n<p>Christina Paetsch deals with processes of perception in our society in the field of tension between disgust and beauty, nature and artificiality. Her works work with the principle of collage in the fields of photography and installation. She is just as interested in topics such as the lack of appreciation for food in our affluent society as she is in the loss of livelihoods, the consequences of which we can hardly recognise in their complexity.<\/p>\n\n\n\n<p>For Berlin-Weekly, she conceived the installation &#8218;art-gerecht&#8216;. The bars transferred to the window simulate a large cage. The back wall is wallpapered with a photo collage that depicts various animal parts embedded in delicate pink aesthetics. A photo wallpaper leads across the floor of the room, simulating a steep staircase leading to a deep abyss of animal waste.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>art-gerecht&nbsp;von Christina Paetsch, 2023 Christina Paetsch besch\u00e4ftigt sich mit Wahrnehmungsprozessen unserer Gesellschaft im Spannungsfeld von Ekel und Sch\u00f6nheit, von Natur und K\u00fcnstlichkeit. Ihre Werke arbeiten mit dem Prinzip der Collage in den Aktionsfeldern Fotografie und Installation. Themen wie die die mangelnde Wertsch\u00e4tzung gegen\u00fcber Lebensmitteln in unserer \u00dcberflussgesellschaft&nbsp; interessieren sie ebenso wie der Verlust von Existenzgrundlagen, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=3558\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 160\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3558","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3558"}],"version-history":[{"count":2,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3558\/revisions"}],"predecessor-version":[{"id":3567,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3558\/revisions\/3567"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3558"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}