{"id":3532,"date":"2023-02-10T20:14:58","date_gmt":"2023-02-10T20:14:58","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3532"},"modified":"2023-02-10T20:15:58","modified_gmt":"2023-02-10T20:15:58","slug":"window-158","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=3532","title":{"rendered":"Window 158"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\" id=\"block-db9c19a0-4129-4b40-ac07-b74833c44238\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"901\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-fenster-ganz.jpg\" alt=\"\" class=\"wp-image-3533\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-fenster-ganz.jpg 710w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-fenster-ganz-500x635.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klein-fenster-ganz-118x150.jpg 118w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<p id=\"block-b1fa7ca4-8e3a-4b01-9e2c-6507ca45a754\"><strong><\/strong><strong>Light Swoosh<\/strong>&nbsp;von <a href=\"http:\/\/www.julialiawalter.com\" target=\"_blank\" rel=\"noreferrer noopener\">Julia Lia Walter<\/a>, 2023<br \/><strong>bedruckter Stoff, Overheadprojektor<\/strong><\/p>\n\n\n\n<p>Julia Lia Walter verbindet analoge und digitale Malerei. Ihr&nbsp;besonderes Interesse gilt den \u00dcberg\u00e4ngen zwischen digitaler und analoger&nbsp;Raumillusion. In ihren Installationen&nbsp;erforscht sie die M\u00f6glichkeiten, Grenzen&nbsp;und \u00dcberg\u00e4nge zwischen den Medien Malerei und Videoprojektion.<br \/>F\u00fcr Berlin Weekly entwickelte Julia Lia Walter eine&nbsp;raumspezifische Installation aus bedruckten transparenten Stoffen, die&nbsp;abstrakte Formfl\u00e4chen bilden. Als Druckvorlage diente eine Fotografie eines mit&nbsp;feinen Pinselstrichen bemalten Stoffes. Durch das Nutzen der Flexibilit\u00e4t des&nbsp;Tr\u00e4germaterials, wird die&nbsp;Zeichnung um eine dritte Dimension erweitert. Die&nbsp;Zeichnung oszilliert zwischen ihrer urspr\u00fcnglichen Zwei- und neugewonnen&nbsp;Dreidimensionalit\u00e4t und wird nochmal zus\u00e4tzlich durch eine Projektion des&nbsp;gedruckten Bildes \u00fcberlagert. Dabei verbinden sich digitale projizierte und&nbsp;analoge gedruckte Linien, indem&nbsp;sie eine Symbiose eingehen und visuell partiell&nbsp;kaum zu trennen sind.<\/p>\n\n\n\n<p>english<\/p>\n\n\n\n<p>Julia Lia&nbsp;Walter combines analogue and digital painting. She is particularly interested&nbsp;in the transitions between digital and analogue spatial&nbsp;illusion. In her&nbsp;installations, she explores the possibilities, limits and transitions between&nbsp;the media of painting and video projection.<br \/>For Berlin&nbsp;Weekly the artist developed a space-specific installation made of printed&nbsp;transparent fabrics that form abstract shaped surfaces. A photograph of a&nbsp;fabric painted with fine brush strokes served as the print template. By using&nbsp;the flexibility of the carrier material, the drawing is extended by a third&nbsp;dimension. The drawing oscillates between its original two- and newly acquired&nbsp;three-dimensionality and is additionally superimposed by a projection of the&nbsp;printed image. In the process, digital projected and analogue printed lines&nbsp;combine by entering into a symbiosis and are visually almost impossible to&nbsp;separate.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>Light Swoosh&nbsp;von Julia Lia Walter, 2023bedruckter Stoff, Overheadprojektor Julia Lia Walter verbindet analoge und digitale Malerei. Ihr&nbsp;besonderes Interesse gilt den \u00dcberg\u00e4ngen zwischen digitaler und analoger&nbsp;Raumillusion. In ihren Installationen&nbsp;erforscht sie die M\u00f6glichkeiten, Grenzen&nbsp;und \u00dcberg\u00e4nge zwischen den Medien Malerei und Videoprojektion.F\u00fcr Berlin Weekly entwickelte Julia Lia Walter eine&nbsp;raumspezifische Installation aus bedruckten transparenten Stoffen, die&nbsp;abstrakte Formfl\u00e4chen bilden. Als &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=3532\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 158\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3532","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3532"}],"version-history":[{"count":3,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3532\/revisions"}],"predecessor-version":[{"id":3542,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3532\/revisions\/3542"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3532"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}