{"id":3477,"date":"2022-08-05T06:23:57","date_gmt":"2022-08-05T06:23:57","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3477"},"modified":"2022-08-05T06:25:33","modified_gmt":"2022-08-05T06:25:33","slug":"window-154","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=3477","title":{"rendered":"Window 154"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\" id=\"block-db9c19a0-4129-4b40-ac07-b74833c44238\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"903\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Birte-ganzes-Fenster1-klein-DSC05854.jpg\" alt=\"\" class=\"wp-image-3478\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Birte-ganzes-Fenster1-klein-DSC05854.jpg 710w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Birte-ganzes-Fenster1-klein-DSC05854-500x636.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/Birte-ganzes-Fenster1-klein-DSC05854-118x150.jpg 118w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<p id=\"block-b1fa7ca4-8e3a-4b01-9e2c-6507ca45a754\"><strong><\/strong><strong>&#8218;Portrait of an Artist &nbsp;(Pool with many Figures)\u2018 von <a href=\"https:\/\/birtebosse.de\" target=\"_blank\" rel=\"noreferrer noopener\">Birte Bosse<\/a>, 2022<\/strong><br \/>Schwimmnudeln aus&nbsp;Polyethylen (PE-Schaum)<\/p>\n\n\n\n<p>Steht man vor der Installation denkt man sofort an Sommer, Hitze, Ferien, Schwimmb\u00e4der, in der Sonne grell leuchtende Farben.&nbsp;&nbsp;<br \/>Birte Bossse kreiert aus bunten Schwimmnudeln &nbsp;individuelle schrille Objekte und bildet daraus eine Installation, die wie ein Wimmelbild eines im Sommer \u00fcberf\u00fcllten \u00f6ffentlichen&nbsp;Freibads oder wie ein dichter farbenfroher Urwald anmutet.&nbsp;<br \/>Die K\u00fcnstlerin geht in ihren Arbeiten fast immer von der Zeichnung aus, wobei Zeichnung und Skulptur sich in ihren Arbeiten gegenseitig bedingen &#8211; der Prozess ist die Idee und&nbsp;umgekehrt.<br \/>Birte Bosse &nbsp;transformiert die &nbsp;bunten Schwimmnudeln aus synthetischem Schaumstoff zu einem modernen Bildhauermaterial, das &nbsp;sowohl zeichnerisches als auch malerisches&nbsp;Potential hat \u2013 flexibel, biegsam, leicht und spielerisch zu bearbeiten.<\/p>\n\n\n\n<p id=\"block-cedb045e-5551-4d56-9c0d-db6651a042b5\">english<\/p>\n\n\n\n<p>Standing in front of the installation, one immediately thinks of summer, heat, vacations, swimming pools, colors glaring in the sun.&nbsp;&nbsp;<br \/>Birte Bossse creates individual shrill objects from colorful swimming noodles and forms an installation from them, which appears like a hidden object scene of a public outdoor pool&nbsp;overcrowded in the summer or like a dense colorful jungle.&nbsp;<br \/>The artist almost always takes drawings as her starting point, with drawing and sculpture mutually dependent in her work &#8211; the process is the idea and vice versa.<br \/>Birte Bosse transforms the colorful swimming noodles made of synthetic foam into a modern sculpture material that has both drawing and painting potential &#8211; flexible, pliable, easy&nbsp;and playful to work with.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>&#8218;Portrait of an Artist &nbsp;(Pool with many Figures)\u2018 von Birte Bosse, 2022Schwimmnudeln aus&nbsp;Polyethylen (PE-Schaum) Steht man vor der Installation denkt man sofort an Sommer, Hitze, Ferien, Schwimmb\u00e4der, in der Sonne grell leuchtende Farben.&nbsp;&nbsp;Birte Bossse kreiert aus bunten Schwimmnudeln &nbsp;individuelle schrille Objekte und bildet daraus eine Installation, die wie ein Wimmelbild eines im Sommer \u00fcberf\u00fcllten \u00f6ffentlichen&nbsp;Freibads &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=3477\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 154\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3477","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3477"}],"version-history":[{"count":2,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3477\/revisions"}],"predecessor-version":[{"id":3487,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3477\/revisions\/3487"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3477"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}