{"id":3411,"date":"2022-02-11T11:14:39","date_gmt":"2022-02-11T11:14:39","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3411"},"modified":"2022-02-11T11:15:58","modified_gmt":"2022-02-11T11:15:58","slug":"window-150","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=3411","title":{"rendered":"Window 150"},"content":{"rendered":"\n
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<\/strong>AGAIN von Judith Rautenberg, Videoinstallation 15min.<\/strong><\/p>\n\n\n\n

Eine Kiste. Ein Mann. Und die Geschichte des Lebens.
Die Videoarbeit \u201eAgain\u201c handelt von der subjektiven Wahrnehmung immer wiederkehrender Lebenssituationen, die vom Menschen als ausweglos und beklemmend empfunden werden. Der Begriff Ort wird hier als geistig-mentaler Zustand interpretiert.
Der Mensch versucht oft, seiner Situation durch Ortswechsel zu entfliehen. Da er aber seine Gef\u00fchle von Isolation \u00fcberall hin mit nimmt, sind die vorgefundenen Orte immer die gleichen und es gibt keine M\u00f6glichkeit, der eigenen Wahrnehmung zu entfliehen.
In den Filmsequenzen werden diese Zust\u00e4nde als wei\u00dfer Kasten visualisiert. Darin interpretiert der T\u00e4nzer Jan Lorys die Gef\u00fchle von Klaustrophobie und Isolation, die zu Auswirkungen wie Angst und Depression, Paralyse und Wahnsinn sowie v\u00f6lliger Selbstaufgabe f\u00fchren. Jede dieser Darstellungen endet mit dem Versuch des T\u00e4nzers, die verursachende Situation also den Kasten zu verlassen: immer wieder landet er in einem Neuen ohne die M\u00f6glichkeit einen Ausweg zu finden.<\/p>\n\n\n\n

english<\/p>\n\n\n\n

One box. One man. And the story of life.The video work „Again“ is about the subjective perception of recurring life situations, which are perceived by man as hopeless and oppressive. The term place is interpreted here as a mental state.
Man often tries to escape from his situation by changing location. But since he takes his feelings of isolation with him everywhere, the places he finds are always the same and there is no possibility of escaping one’s own perception.
In the film sequences, these states are visualized as a white box. In it, dancer Jan Lorys interprets the feelings of claustrophobia and isolation, leading to effects such as anxiety and depression, paralysis and madness, and complete self-abandonment. Each of these representations ends with the dancer’s attempt to leave the causative situation, i.e. the box: again and again he ends up in a new one without the possibility of finding a way out.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

AGAIN von Judith Rautenberg, Videoinstallation 15min. Eine Kiste. Ein Mann. Und die Geschichte des Lebens.Die Videoarbeit \u201eAgain\u201c handelt von der subjektiven Wahrnehmung immer wiederkehrender Lebenssituationen, die vom Menschen als ausweglos und beklemmend empfunden werden. Der Begriff Ort wird hier als geistig-mentaler Zustand interpretiert.Der Mensch versucht oft, seiner Situation durch Ortswechsel zu entfliehen. Da er aber … <\/p>\n

\u201eWindow 150\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3411","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3411"}],"version-history":[{"count":2,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3411\/revisions"}],"predecessor-version":[{"id":3426,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3411\/revisions\/3426"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3411"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}