{"id":3357,"date":"2021-11-08T15:26:19","date_gmt":"2021-11-08T15:26:19","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3357"},"modified":"2021-11-08T15:26:19","modified_gmt":"2021-11-08T15:26:19","slug":"window-147","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=3357","title":{"rendered":"Window 147"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\" id=\"block-db9c19a0-4129-4b40-ac07-b74833c44238\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"851\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/fenster-Eva-klein.jpg\" alt=\"\" class=\"wp-image-3358\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/fenster-Eva-klein.jpg 710w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/fenster-Eva-klein-500x599.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/fenster-Eva-klein-125x150.jpg 125w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n\n\n\n<p id=\"block-b1fa7ca4-8e3a-4b01-9e2c-6507ca45a754\"><strong>Memorabilia&nbsp;von <a href=\"http:\/\/www.evacastringius.com\" target=\"_blank\" rel=\"noreferrer noopener\">Eva Castringius<\/a><\/strong><\/p>\n\n\n\n<p>In der raumgreifenden Arbeit&nbsp;Memorabilia&nbsp;stellt Eva Castringius den Bezug von Radioaktivit\u00e4t &nbsp;und Berliner Blau her. Bei diesem Farbpigment handelt es&nbsp;sich nicht nur um ein lichtempfindliches Material, sondern auch um ein Gegenmittel bei radioaktiven Vergiftungen. Die K\u00fcnstlerin verwendet es im&nbsp;Belichtungsprozess und thematisiert die Entdeckung der Radioaktivit\u00e4t im sp\u00e4ten 19. Jahrhundert und ihre gesundheitsgef\u00e4hrdenden Auswirkungen. In&nbsp;ihren Fotogrammen versteht sie die fotografischen Abdr\u00fccke der Gegenst\u00e4nde als&nbsp;Memorabilia&nbsp;der Schicksale der Protagonistinnen*, die ungesch\u00fctzt&nbsp;hoher Radioaktivit\u00e4t ausgesetzt waren und verweist auf die Gefahren der unsichtbaren Strahlung.<\/p>\n\n\n\n<p id=\"block-cedb045e-5551-4d56-9c0d-db6651a042b5\">english<\/p>\n\n\n\n<p>In her expansive work&nbsp;Memorabilia, Eva Castringius relates radioactivity and Berlin blue. This color pigment is not only a light-sensitive material, but also&nbsp;an antidote for radioactive poisoning. The artist uses it in the exposure process and thematizes the discovery of radioactivity in the late nineteenth&nbsp;century and its health risks. In her photograms she understands the photographic imprints of the objects as&nbsp;Memorabilia&nbsp;of the fates of the protagonists*&nbsp;who were exposed to radioactivity without protection and refers to the danger of invisible radiation.&nbsp;<br \/>&nbsp;<br \/>*Marie Curie, Pat Burrage, Katherine Schaub, Loie Fuller, Joan Meller<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>Memorabilia&nbsp;von Eva Castringius In der raumgreifenden Arbeit&nbsp;Memorabilia&nbsp;stellt Eva Castringius den Bezug von Radioaktivit\u00e4t &nbsp;und Berliner Blau her. Bei diesem Farbpigment handelt es&nbsp;sich nicht nur um ein lichtempfindliches Material, sondern auch um ein Gegenmittel bei radioaktiven Vergiftungen. Die K\u00fcnstlerin verwendet es im&nbsp;Belichtungsprozess und thematisiert die Entdeckung der Radioaktivit\u00e4t im sp\u00e4ten 19. Jahrhundert und ihre gesundheitsgef\u00e4hrdenden Auswirkungen. &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=3357\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 147\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3357","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3357"}],"version-history":[{"count":2,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3357\/revisions"}],"predecessor-version":[{"id":3368,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3357\/revisions\/3368"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3357"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}