{"id":3321,"date":"2021-07-23T17:23:58","date_gmt":"2021-07-23T17:23:58","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3321"},"modified":"2021-10-08T07:51:37","modified_gmt":"2021-10-08T07:51:37","slug":"window-145","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=3321","title":{"rendered":"Window 145"},"content":{"rendered":"\n
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CORONA TEST ZENTRUM – eine Raumzeichnung aus Eisendraht von Sibylle Hofter<\/a><\/strong><\/p>\n\n\n\n

Die K\u00fcnstlerin zeichnet das vorhandene Inventar spezifischer R\u00e4ume freihand aus verschwei\u00dftem Eisendraht in den physischen Raum, nachdem sie es fotografiert und vermessen hat. In der Installation bewegt man sich durch einen Raum, in dem f\u00fcr die Corona Testzentren typischen Einrichtungsgegenst\u00e4nde und Utensilien aus geschwei\u00dftem Draht gerade so skizzenhaft dargestellt sind, dass das Auge Fl\u00e4chen sieht, wo keine sind. Durch die Bewegung des Betrachters verschiebt sich die Perspektive auf die r\u00e4umlichen Verh\u00e4ltnisse, in denen immer auch die r\u00fcckw\u00e4rtigen Kanten der Gegenst\u00e4nde sichtbar sind.<\/p>\n\n\n\n

Das von Corona gepr\u00e4gte Stadtbild (mit leeren Stra\u00dfen, hinter Masken versteckten Gesichtern und geschlossenen Gesch\u00e4ften und Restaurants) und die zuletzt zu Testzentren umgewandelten Ladenfl\u00e4chen sind in den vielen Monaten der Lockdowns f\u00fcr die meisten von uns zum Alltagsbild geworden, aber das einzigartige Ph\u00e4nomen des Testzentrums scheint doch erstaunlich wenig k\u00fcnstlerisch dokumentiert worden zu sein. W\u00e4hrend des Lockdowns wurden kaum L\u00e4den von K\u00fcnstlern oder Aktivisten umgenutzt. Erst mit der Finanzierung kostenloser B\u00fcrgertests explodierte die Flexibilit\u00e4t der Gesch\u00e4ftsleute, und es entstanden zahllose Testzentren, die sich in die pausierende Nutzung einschieben.<\/p>\n\n\n\n

Eine Fotoserie des neuen Arbeits-Alltags im Testzentrum (Monatsheft Nr. 51, Edition Schwimmer) stellt Sibylle Hofter am Freitag 6. 8. um 19 Uhr in der Ausstellung vor.<\/p>\n\n\n\n

english<\/p>\n\n\n\n

Sibylle Hofter has developed a Corona test centre as a drawing in space made of wire for the Berlin-Weekly project space in Linienstra\u00dfe.16 July – 3 September 2021The artist draws the existing inventory of specific spaces freehand from welded iron wire into physical space after photographing and measuring it. In the installation, one moves through a space in which furnishings and utensils typical of Corona test centres are sketched out of welded wire just enough for the eye to see surfaces where there are none. The movement of the viewer shifts the perspective on the spatial relationships, in which the back edges of the objects are always visible.<\/p>\n\n\n\n

The cityscape characterised by Corona (with empty streets, faces hidden behind masks and closed shops and restaurants) and the shop spaces recently converted into test centres have become part of everyday life for most of us during the many months of the lockdown, but the unique phenomenon of the test centre seems to have been documented surprisingly little artistically. During the lockdown, hardly any shops were repurposed by artists or activists. It was only with the funding of free civic testing that the flexibility of shopkeepers exploded, and countless test centres sprang up to slot into paused use.<\/p>\n\n\n\n

A photo series of the new everyday working life in the test centre (Monthly No. 51, Edition Schwimmer) will be presented by Sibylle Hofter at the exhibition on Friday 6. 8. at 7 pm.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

CORONA TEST ZENTRUM – eine Raumzeichnung aus Eisendraht von Sibylle Hofter Die K\u00fcnstlerin zeichnet das vorhandene Inventar spezifischer R\u00e4ume freihand aus verschwei\u00dftem Eisendraht in den physischen Raum, nachdem sie es fotografiert und vermessen hat. In der Installation bewegt man sich durch einen Raum, in dem f\u00fcr die Corona Testzentren typischen Einrichtungsgegenst\u00e4nde und Utensilien aus geschwei\u00dftem Draht gerade so … <\/p>\n

\u201eWindow 145\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3321","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3321"}],"version-history":[{"count":3,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3321\/revisions"}],"predecessor-version":[{"id":3356,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3321\/revisions\/3356"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3321"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}