{"id":3152,"date":"2020-08-07T07:17:39","date_gmt":"2020-08-07T07:17:39","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=3152"},"modified":"2020-08-07T07:22:45","modified_gmt":"2020-08-07T07:22:45","slug":"window-136","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=3152","title":{"rendered":"Window 136"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/small-DSC02646-copy.jpg\" rel=\"lightbox[3152]\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"865\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/small-DSC02646-copy.jpg\" alt=\"\" class=\"wp-image-3154\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/small-DSC02646-copy.jpg 710w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/small-DSC02646-copy-500x609.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/small-DSC02646-copy-123x150.jpg 123w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><strong>HEAD SQUATTERS by <a href=\"http:\/\/www.heikehamann.de\">Heike Hamann<\/a><\/strong><\/p>\n\n\n\n<p>Ungel\u00f6ste Gedanken im Kopf nehmen in bronzefarbenen Ton Gestalt an und machen sich auf gebrauchten M\u00f6beln breit. Sie hocken auf St\u00fchlen, saugen sich fest, bleiben im Regal h\u00e4ngen und leiten sich selber ab. Die Dreidimensionalit\u00e4t und&nbsp;Farbigkeit des Ensembles zieht sich auf dem davor gespannten transparenten Stoff zu einer Umrisszeichnung zusammen, denn die &nbsp;R\u00fcckwand wird stark beleuchtet. So verlieren die Objekte ihre Materialit\u00e4t und Schwere.&nbsp;<br \/>Heike Hamanns Interesse gilt der Untersuchung von Wahrnehmungen, sowie zwischenmenschlichen Projektions- und Kommunikationssystemen. In wieweit l\u00e4sst sich dieses stark ineinander vernetzte, verwickelte Konglomerat visualisieren? Zu den&nbsp;plastischen, malerischen, partizipartorischen Installationen baut die K\u00fcnstlerin begehbare, fahrbare Camera obscurae und inszeniert Performances.<\/p>\n\n\n\n<p>englisch<\/p>\n\n\n\n<p>Unresolved thoughts in the head take shape in bronze clay and spread out on used furniture. They squat on chairs, suck themselves tight, get stuck in shelves and unload&nbsp;themselves. The three-dimensionality and colourfulness of the ensemble contracts&nbsp;on the transparent fabric that is stretched in front of the installation. They form an outline&nbsp;drawing, because the back wall is&nbsp;illuminated. The objects lose their materiality and weight.&nbsp;<br \/>Heike Hamann is interested in the investigation of perceptions as well as in interpersonal projection and communication&nbsp;systems. To what extent can this strongly&nbsp;interwoven conglomerate be visualized? In addition to the sculptural,&nbsp;painterly and participatory installations, the artist builds walk-in, mobile Camera obscurae and stages performances.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>HEAD SQUATTERS by Heike Hamann Ungel\u00f6ste Gedanken im Kopf nehmen in bronzefarbenen Ton Gestalt an und machen sich auf gebrauchten M\u00f6beln breit. Sie hocken auf St\u00fchlen, saugen sich fest, bleiben im Regal h\u00e4ngen und leiten sich selber ab. Die Dreidimensionalit\u00e4t und&nbsp;Farbigkeit des Ensembles zieht sich auf dem davor gespannten transparenten Stoff zu einer Umrisszeichnung zusammen, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=3152\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 136\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3152","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3152"}],"version-history":[{"count":3,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3152\/revisions"}],"predecessor-version":[{"id":3162,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/3152\/revisions\/3162"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3152"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}