{"id":2956,"date":"2020-03-21T10:50:29","date_gmt":"2020-03-21T10:50:29","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=2956"},"modified":"2020-03-21T10:52:28","modified_gmt":"2020-03-21T10:52:28","slug":"window-133","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=2956","title":{"rendered":"Window 133"},"content":{"rendered":"\n
\"\"<\/a><\/figure><\/div>\n\n\n\n

PORTRAIT OF AN OPENING von Sabine Gro\u00df<\/a><\/p>\n\n\n\n

Der Fu\u00dfboden einer Galerie ist das sichere Fundament, auf welchem die Choreografie kultureller Operationen – wie zum Beispiel eine Vernissage – in anmutiger Selbstverst\u00e4ndlichkeit ihren Auff\u00fchrungsort hat. Eigentlich sind es aber nur einige wenige Zentimeter, die diese Ordnung von etwas Gr\u00f6\u00dferem und Unbeherrschbarem trennen. PORTRAIT OF AN OPENING ist eine Art Diorama, welches – ausgel\u00f6st durch einen potenziellen Erdrutsch – die kulturelle Oberwelt und die urgeschichtliche Unterwelt in einem illusion\u00e4ren Bild zeigt.<\/p>\n\n\n\n

Sabine Gro\u00df interessiert sich in ihrer k\u00fcnstlerischen Arbeit f\u00fcr die Verh\u00e4ltnisse und Rahmenbedingungen, in denen Kunst entsteht und verhandelt wird. Die Frage nach Wert und Nachhaltigkeit des Kunstwerks an sich ist f\u00fcr sie zentral. Sie nutzt Zitate und Bez\u00fcge aus Kunstbetrieb und Kunstgeschichte und bearbeitet sie mit Stilmitteln aus Arch\u00e4ologie, Natur- und Erdgeschichte so, dass sie den  vom Kunstmarkt initiierten, unn\u00f6tig \u00fcberh\u00f6htem Kunstbegriff  relativiert.<\/p>\n\n\n\n

engl. <\/p>\n\n\n\n

The floor of a gallery is the secure foundation on which the choreography of cultural operations – such as a vernissage, for example – is gracefully and naturally performed. But actually it is only a few centimetres that separate this order from something larger and uncontrollable. PORTRAIT OF AN OPENING is a kind of diorama, which – triggered by a potential landslide – shows the cultural Upper- world and the prehistoric Underworld in an illusionary picture.<\/p>\n\n\n\n

In her artistic work, Sabine Gro\u00df is interested in the conditions and framework in which art is created and negotiated. The question of value and sustainability of the artwork itself is central to her work. She uses quotations and references from the art business and art history and works on them with stylistic devices from archaeology, natural history and earth history in such a way that she relativizes the unnecessarily exaggerated concept of art initiated by the art market.<\/p>\n\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

PORTRAIT OF AN OPENING von Sabine Gro\u00df Der Fu\u00dfboden einer Galerie ist das sichere Fundament, auf welchem die Choreografie kultureller Operationen – wie zum Beispiel eine Vernissage – in anmutiger Selbstverst\u00e4ndlichkeit ihren Auff\u00fchrungsort hat. Eigentlich sind es aber nur einige wenige Zentimeter, die diese Ordnung von etwas Gr\u00f6\u00dferem und Unbeherrschbarem trennen. PORTRAIT OF AN OPENING … <\/p>\n

\u201eWindow 133\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2956","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2956"}],"version-history":[{"count":3,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2956\/revisions"}],"predecessor-version":[{"id":2967,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2956\/revisions\/2967"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2956"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}