{"id":2716,"date":"2019-11-22T20:47:40","date_gmt":"2019-11-22T20:47:40","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=2716"},"modified":"2020-03-03T13:19:59","modified_gmt":"2020-03-03T13:19:59","slug":"week-130","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=2716","title":{"rendered":"Window 130"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/kleinwindow130-3.jpg\" rel=\"lightbox[2716]\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"894\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/kleinwindow130-3.jpg\" alt=\"\" class=\"wp-image-2717\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/kleinwindow130-3.jpg 710w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/kleinwindow130-3-119x150.jpg 119w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/kleinwindow130-3-500x630.jpg 500w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/a><\/figure>\n\n\n\n<p><strong>IAMTHEWINDOWDANCER&nbsp;<\/strong>&nbsp;<strong>von <\/strong><a href=\"https:\/\/www.zeixberlin.de\ufeff\"><strong>J\u00e9r\u00f4me Chazeix<\/strong><\/a><strong>, 2019&nbsp;(Grosse digitale Collage-Tapete, Seident\u00fccher, Videoloop)<\/strong><br \/><\/p>\n\n\n\n<p>Mit diebischer Freude&nbsp;schleudert, puzzelt und&nbsp;appropriiert Jerome Chazeix, rei\u00dft Versatzst\u00fccke aus&nbsp;verschiedenen Kontexten&nbsp;und verarbeitet sie in neuen Verkn\u00fcpfungszusammenh\u00e4ngen f\u00fcr&nbsp;sein&nbsp;fiktives Label&nbsp;<strong>Zeix Berlin<\/strong>.&nbsp;Es ergibt einen popistischen Mix, der hochgradig additiv und kombinatorisch ist, und&nbsp;hinterfragt unseren Zugang zur visuellen Kultur&nbsp;in unserem von der digitalen Bilderflut&nbsp;bestimmten Zeitalter.<\/p>\n\n\n\n<p>Seit fast 20 Jahren inszeniert Chazeix sein&nbsp;fiktives Label&nbsp;<strong>Zeix Berlin&nbsp;<\/strong>in Form&nbsp;boutique-\u00e4hnlichen Installationen als Gesamtkunstwerk.&nbsp;<strong>Zeix<\/strong>&nbsp;macht sich Elemente&nbsp;unserer Konsumgesellschaft zu eigen&nbsp;und thematisiert Trends, Massenmedien,&nbsp;Mode, Popkultur, etc..&nbsp;&nbsp;Die Tapeten sind&nbsp;Collage von Sch\u00f6nheitselementen&nbsp;aus verschiedene&nbsp;Kulturen,&nbsp;als Fetischobjekte und untersuchen die Code von Sch\u00f6nheit zu&nbsp;unterschiedliche Epoche.&nbsp;<\/p>\n\n\n\n<p>Die Installation &nbsp;<strong>IAMTHEWINDOWDANCER&nbsp;<\/strong>wird auch am 4.12. die Location sein f\u00fcr den Book Launch seiner neuen Publikation:&nbsp;<strong>INSZENIERUNGEN MIT MUSIK, KOST\u00dcMEN UND PARTIZIPATION 2012-2019,&nbsp;<\/strong>erschienen bei Revolver Verlag.<\/p>\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>IAMTHEWINDOWDANCER&nbsp;&nbsp;von J\u00e9r\u00f4me Chazeix, 2019&nbsp;(Grosse digitale Collage-Tapete, Seident\u00fccher, Videoloop) Mit diebischer Freude&nbsp;schleudert, puzzelt und&nbsp;appropriiert Jerome Chazeix, rei\u00dft Versatzst\u00fccke aus&nbsp;verschiedenen Kontexten&nbsp;und verarbeitet sie in neuen Verkn\u00fcpfungszusammenh\u00e4ngen f\u00fcr&nbsp;sein&nbsp;fiktives Label&nbsp;Zeix Berlin.&nbsp;Es ergibt einen popistischen Mix, der hochgradig additiv und kombinatorisch ist, und&nbsp;hinterfragt unseren Zugang zur visuellen Kultur&nbsp;in unserem von der digitalen Bilderflut&nbsp;bestimmten Zeitalter. Seit fast 20 Jahren inszeniert Chazeix &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=2716\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 130\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2716","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2716"}],"version-history":[{"count":3,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2716\/revisions"}],"predecessor-version":[{"id":2800,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2716\/revisions\/2800"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2716"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}