{"id":2642,"date":"2019-06-17T21:00:48","date_gmt":"2019-06-17T21:00:48","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=2642"},"modified":"2020-03-03T13:21:13","modified_gmt":"2020-03-03T13:21:13","slug":"week-126","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=2642","title":{"rendered":"Window 126"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window126-kleinjpg.jpeg\" rel=\"lightbox[2642]\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"991\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window126-kleinjpg.jpeg\" alt=\"\" class=\"wp-image-2643\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window126-kleinjpg.jpeg 710w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window126-kleinjpg-107x150.jpeg 107w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window126-kleinjpg-500x698.jpeg 500w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/a><\/figure>\n\n\n\n<p><strong>\u201apace\u2019 by&nbsp;<a href=\"http:\/\/www.wolfgangflad.de\/\">Wolfgang Flad<\/a>, 2019<br \/><\/strong>(metal rods, wood,&nbsp;Papiermach\u00e9)<br \/><\/p>\n\n\n\n<p>Die Installation \u201apace\u2019 zeigt &nbsp;eine scheinbar schwebende organischen Struktur,&nbsp;deren knochige, verschlungene Linienf\u00fchrung Assoziationen an ein pr\u00e4historisches Skelett oder an visualierte Schallwellen oder Luftstr\u00f6me&nbsp;hervorruft. Es&nbsp;k\u00f6nnte sich dabei auch um eine Szene aus einem Siencefictionfilm handeln.&nbsp;Demgegen\u00fcber ist eine streng lineare grafische Struktur gestellt, welche auf&nbsp;eine genaue Messbarkeit gleich eines r\u00e4umlichen&nbsp;Diagramms deutet.<br \/>Wolfgang Flads Skulpturen besch\u00e4ftigen sich mit Raum und Bewegung, mit&nbsp;Gegens\u00e4tzen, die sich kommentieren oder erg\u00e4nzen. Gleichzeitig folgen sie&nbsp;der Logik von Materialkreisl\u00e4ufen wie dem Upcycling.&nbsp;<\/p>\n\n\n\n<p>The installation \u201apace\u2018 shows a seemingly floating organic structure whose&nbsp;bony, intricate lines evoke associations with a prehistoric skeleton or visualized&nbsp;sound waves or air currents. It could also be a scene from a&nbsp;Science Fiction&nbsp;movie. In contrast a strictly linear graphical structure is provided which indicates&nbsp;an exact measurability equal to a spatial diagram.<br \/>Wolfgang Flad\u2019s sculptures deal with space and movement, with opposites that&nbsp;comment or complement each other. At the same time they follow the logic of&nbsp;material cycles such as upcycling.<\/p>\n\n\n\n<p><br \/><\/p>\n\n\n\n<p><\/p>\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>\u201apace\u2019 by&nbsp;Wolfgang Flad, 2019(metal rods, wood,&nbsp;Papiermach\u00e9) Die Installation \u201apace\u2019 zeigt &nbsp;eine scheinbar schwebende organischen Struktur,&nbsp;deren knochige, verschlungene Linienf\u00fchrung Assoziationen an ein pr\u00e4historisches Skelett oder an visualierte Schallwellen oder Luftstr\u00f6me&nbsp;hervorruft. Es&nbsp;k\u00f6nnte sich dabei auch um eine Szene aus einem Siencefictionfilm handeln.&nbsp;Demgegen\u00fcber ist eine streng lineare grafische Struktur gestellt, welche auf&nbsp;eine genaue Messbarkeit gleich eines r\u00e4umlichen&nbsp;Diagramms deutet.Wolfgang &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=2642\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 126\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2642","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2642"}],"version-history":[{"count":4,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2642\/revisions"}],"predecessor-version":[{"id":2804,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2642\/revisions\/2804"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2642"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}