{"id":2418,"date":"2018-12-31T12:31:08","date_gmt":"2018-12-31T12:31:08","guid":{"rendered":"http:\/\/www.berlin-weekly.com\/?p=2418"},"modified":"2020-03-03T13:22:14","modified_gmt":"2020-03-03T13:22:14","slug":"week-122","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=2418","title":{"rendered":"Window 122"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klare-fenster-DSC00675-klein.jpg\" rel=\"lightbox[2418]\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"883\" src=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klare-fenster-DSC00675-klein.jpg\" alt=\"\" class=\"wp-image-2419\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klare-fenster-DSC00675-klein.jpg 710w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klare-fenster-DSC00675-klein-121x150.jpg 121w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/klare-fenster-DSC00675-klein-500x622.jpg 500w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><strong>FAUXFUR von Peter&nbsp;Klare<\/strong><br \/>2018 ( Kunstfell, Acrylfarbe, Holz)  <a href=\"http:\/\/www.peterklare.com\">www.peterklare.com<\/a> <\/p>\n\n\n\n<p>&#8218;Peter Klares Werke aus den letzten zwei Jahren sind so widerborstig&nbsp;und gleichzeitig so schmeichelnd wie Fell es sein kann. Den Erwartungen an&nbsp;Oberfl\u00e4che, Form, Haptik und Wertigkeiten werden optische Irritation&nbsp;und&nbsp;taktile Empfindungen paradoxer Objekte entgegengesetzt, die fremdartig und doch&nbsp;vertraulich erscheinen.\u2019 &nbsp;Cora Waschke<\/p>\n\n\n\n<p><\/p>\n\n\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>FAUXFUR von Peter&nbsp;Klare2018 ( Kunstfell, Acrylfarbe, Holz) www.peterklare.com &#8218;Peter Klares Werke aus den letzten zwei Jahren sind so widerborstig&nbsp;und gleichzeitig so schmeichelnd wie Fell es sein kann. Den Erwartungen an&nbsp;Oberfl\u00e4che, Form, Haptik und Wertigkeiten werden optische Irritation&nbsp;und&nbsp;taktile Empfindungen paradoxer Objekte entgegengesetzt, die fremdartig und doch&nbsp;vertraulich erscheinen.\u2019 &nbsp;Cora Waschke<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2418","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2418"}],"version-history":[{"count":7,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2418\/revisions"}],"predecessor-version":[{"id":2808,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2418\/revisions\/2808"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2418"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}