{"id":2349,"date":"2018-08-16T18:42:57","date_gmt":"2018-08-16T18:42:57","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=2349"},"modified":"2020-03-03T13:23:09","modified_gmt":"2020-03-03T13:23:09","slug":"week-119","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=2349","title":{"rendered":"Window 119"},"content":{"rendered":"

 <\/h2>\n

\"vanessa<\/a><\/p>\n

\n

\u201cApparition\u201d von Vanessa Enr\u00edquez <\/strong>
\n(alte Video-Magnetb\u00e4nder) http:\/\/vanessaenriquez.net<\/a><\/p>\n

Vanessa Enr\u00edquez Raumzeichnungen mit Magnetband sind Versuche, Wahrnehmung zu verstehen. In ihrer Installation \u201cApparition\u201d (Erscheinung) schneiden sich zwei Felder alternierender Linien in der Mitte des Schaufensterraums und erzeugen ein Interferenzmuster. Ein vierzackiger Stern wird enth\u00fcllt, wenn der Betrachter in einer bestimmten Position steht und verschwindet, wenn er den Standort wechselt. Bei frontaler Sicht sieht man ein \u201eX“, das f\u00fcr das Unbekannte, Unerkl\u00e4rbare oder Unmessbare steht.<\/p>\n

Vanessa Enr\u00edquez’s drawings with magnetic tape explore perception and consciousness. In her installation \u201cApparition\u201d two fields of alternating lines intersect at the middle of the main space creating an interference pattern. Observing the work from a specific location reveals a four-pointed star that disappears when one walks past the gallery. A plan view reveals an \u201cX\u201d that stands for the unknown, unexplainable or unmeasurable.<\/p>\n<\/div>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

  \u201cApparition\u201d von Vanessa Enr\u00edquez  (alte Video-Magnetb\u00e4nder) http:\/\/vanessaenriquez.net Vanessa Enr\u00edquez Raumzeichnungen mit Magnetband sind Versuche, Wahrnehmung zu verstehen. In ihrer Installation \u201cApparition\u201d (Erscheinung) schneiden sich zwei Felder alternierender Linien in der Mitte des Schaufensterraums und erzeugen ein Interferenzmuster. Ein vierzackiger Stern wird enth\u00fcllt, wenn der Betrachter in einer bestimmten Position steht und verschwindet, wenn er den Standort wechselt. Bei … <\/p>\n

\u201eWindow 119\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2349","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2349"}],"version-history":[{"count":4,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2349\/revisions"}],"predecessor-version":[{"id":2811,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2349\/revisions\/2811"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2349"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}