{"id":2243,"date":"2018-01-08T20:48:41","date_gmt":"2018-01-08T20:48:41","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=2243"},"modified":"2020-03-03T13:25:58","modified_gmt":"2020-03-03T13:25:58","slug":"week-112","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=2243","title":{"rendered":"Window 112"},"content":{"rendered":"<h2>&nbsp;<\/h2>\n<p><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window-small112DSCF9970.jpg\" rel=\"attachment wp-att-2244\" rel=\"lightbox[2243]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2244\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window-small112DSCF9970-500x620.jpg\" alt=\"window small112DSCF9970\" width=\"500\" height=\"620\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window-small112DSCF9970-500x620.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window-small112DSCF9970-121x150.jpg 121w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window-small112DSCF9970.jpg 710w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><strong>Monolith by Marc von der Hocht<\/strong><br \/>\n2017 <a href=\"http:\/\/marcvonderhocht.de\">marcvonderhocht.de<\/a><\/p>\n<p>Mit Monolith pr\u00e4sentiert Marc von der Hocht ein f\u00fcr Berlin-Weekly konzipiertes Lichtobjekt. Wie die bisherige Arbeiten des K\u00fcnstlers speist sich seine Installation Monolith aus Elementen, die dem Design und der Architektur entnommen sind. Alltagsobjekte, wie man sie hier in Berlin oft als Sperrm\u00fcll auf den Stra\u00dfen findet: Druckerabdeckungen, L\u00fcftungsgitter, CD-St\u00e4nder, Fu\u00df- und Gummimatten, Auto &#8211; und Fahrradteile etc. werden zu einer neuen Sinneinheit zusammengef\u00fchrt und durch diverse Lichtquellen modelliert, verzerrt und gebrochen. Die geometrische Form von Monolith verweist auf die allgegenw\u00e4rtige Pr\u00e4senz des Kubus in unserem, durch die Zentralperspektive und von rechten Winkeln gepr\u00e4gten Stadtbild, w\u00e4hrend die schwarze Gestalt auf die mythische Bedeutung eines Monolithen anspielt.<\/p>\n<p>The installation MONOLITH by the Berlin-based artist Marc von der Hoch presents a light object specially designed for the Berlin Weekly window. Like the previous work of the artist, his installation contains elements taken from design and architecture. Everyday objects, as they are often found here in Berlin as bulky waste on the streets: printer covers, ventilation grids, CD stands, foot and rubber mats, car and bicycle parts, etc. These found objects are joined together and merged with various sources of light, distorted and broken, to create a new object in its own right . The geometric shape of Monolith refers to the omnipresent presence of the cube in our cityscape, characterized by the central perspective and from right angles, while the black figure alludes to the mythical meaning of a monolith.<\/p>\nngg_shortcode_0_placeholder\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;\">Merken<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Monolith by Marc von der Hocht 2017 marcvonderhocht.de Mit Monolith pr\u00e4sentiert Marc von der Hocht ein f\u00fcr Berlin-Weekly konzipiertes Lichtobjekt. Wie die bisherige Arbeiten des K\u00fcnstlers speist sich seine Installation Monolith aus Elementen, die dem Design und der Architektur entnommen sind. Alltagsobjekte, wie man sie hier in Berlin oft als Sperrm\u00fcll auf den Stra\u00dfen &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=2243\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 112\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2243","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2243"}],"version-history":[{"count":4,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2243\/revisions"}],"predecessor-version":[{"id":2818,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2243\/revisions\/2818"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2243"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}