{"id":2163,"date":"2017-07-13T05:29:07","date_gmt":"2017-07-13T05:29:07","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=2163"},"modified":"2020-03-03T13:28:18","modified_gmt":"2020-03-03T13:28:18","slug":"week-107","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=2163","title":{"rendered":"Window 107"},"content":{"rendered":"<h2>&nbsp;<\/h2>\n<p><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window107-klein.jpg\" rel=\"attachment wp-att-2164\" rel=\"lightbox[2163]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2164\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window107-klein-500x632.jpg\" alt=\"window107 klein\" width=\"500\" height=\"632\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window107-klein-500x632.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window107-klein-119x150.jpg 119w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window107-klein.jpg 710w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p><strong>Open Source von <a href=\"http:\/\/mennoaden.com\">Menno Aden<\/a><br \/>\n<\/strong><br \/>\nDer in Berlin lebende K\u00fcnstler Menno Aden hat sich auf R\u00e4ume und Perspektiven spezialisiert. Menschen sind in seinen Fotoarbeiten so gut wie nie zu sehen. Und doch sieht man in ihnen Spuren, die sie hinterlassen haben. Indem Aden sowohl von Menschen gemachte Ordnungsstrukturen als auch deren in Unordnung geratenen Strukturen abbildet, sind seine Fotoarbeiten indirekt auch Portraits von Menschen.<\/p>\n<p>F\u00fcr Berlin-Weekly zeigt Aden einen Sp\u00e4tkauf aufgeklappt wie ein Modell. Als w\u00e4re die Decke abgenommen l\u00e4sst sich aus der Vogelperspektive in eine mit Konsumartikeln prall gef\u00fcllte Box blicken. Aden stellt die Berliner Institution \u201aSp\u00e4ti\u2018 w\u00f6rtlich auf den Kopf und l\u00e4sst den Besucher irritiert zur\u00fcck. Nicht zuletzt auch, weil ein Sp\u00e4t inmitten der durchgentrifizierten Linienstra\u00dfe so fehl am Platz erscheint.<\/p>\n<p>Open Source &#8211; an Installation by <a href=\"http:\/\/mennoaden.com\">Menno Aden <\/a><br \/>\nThe Berlin-based artist Menno Aden specialises in the representation of spaces and perspectives. People almost never appear in his photographic work, which instead often focuses on what people have left behind. By depicting man-made order systems as well as their disorder, Aden&#8217;s work is also an indirect portrait of humans.<\/p>\n<p>For Berlin-Weekly, Aden shows an installation with a Berlin &#8218;Sp\u00e4tkauf&#8216; (a 24\/7 corner-shop) from a birds eye perspective. As if the ceiling was removed one can look into a box crammed with consumer goods. Aden literally turns the Berlin institution &#8218;Sp\u00e4ti&#8216; on it&#8217;s head, and leaves the visitor irritated &#8211; not least because of the untypical opening of a &#8218;Sp\u00e4ti&#8216; in the gentrified and posh Linienstra\u00dfe.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Open Source von Menno Aden Der in Berlin lebende K\u00fcnstler Menno Aden hat sich auf R\u00e4ume und Perspektiven spezialisiert. Menschen sind in seinen Fotoarbeiten so gut wie nie zu sehen. Und doch sieht man in ihnen Spuren, die sie hinterlassen haben. Indem Aden sowohl von Menschen gemachte Ordnungsstrukturen als auch deren in Unordnung geratenen &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=2163\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 107\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2163","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2163"}],"version-history":[{"count":3,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2163\/revisions"}],"predecessor-version":[{"id":2824,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2163\/revisions\/2824"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2163"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}