{"id":2025,"date":"2016-06-19T10:45:43","date_gmt":"2016-06-19T10:45:43","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=2025"},"modified":"2020-03-03T13:40:28","modified_gmt":"2020-03-03T13:40:28","slug":"week-94","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=2025","title":{"rendered":"Window 94"},"content":{"rendered":"<h2>&nbsp;<\/h2>\n<p><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/ellinor-euler-fenster-klein.jpg\" rel=\"attachment wp-att-2026\" rel=\"lightbox[2025]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-2026\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/ellinor-euler-fenster-klein-500x620.jpg\" alt=\"ellinor euler fenster klein\" width=\"500\" height=\"620\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/ellinor-euler-fenster-klein-500x620.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/ellinor-euler-fenster-klein-121x150.jpg 121w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/ellinor-euler-fenster-klein.jpg 710w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p><strong>SHIFT von Ellinor Euler<\/strong><br \/>\nMaterial: Kabelbinder und Plastiknetz<a href=\"http:\/\/www.ellinoreuler.de\">&nbsp;www.ellinoreuler.de<\/a><\/p>\n<p>shift: vom Bekannten ins Unbekannte zu gehen und Vertrautes so zu ver\u00e4ndern, da\u00df daraus etwas Irritierendes und<br \/>\nNeues entsteht. Diese Transformation findet ihre Entsprechung in der Umdeutung von bekannten Materialien in Ellinor Eulers aktuellen Arbeiten.<\/p>\nngg_shortcode_0_placeholder\n<p>&nbsp;<\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 0.85; z-index: 8675309; display: none; cursor: pointer; top: 96px; left: 482px;\">Merken<\/span><\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;\">Merken<\/span><\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 0.85; z-index: 8675309; display: none; cursor: pointer; top: 96px; left: 482px;\">Merken<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; SHIFT von Ellinor Euler Material: Kabelbinder und Plastiknetz&nbsp;www.ellinoreuler.de shift: vom Bekannten ins Unbekannte zu gehen und Vertrautes so zu ver\u00e4ndern, da\u00df daraus etwas Irritierendes und Neues entsteht. Diese Transformation findet ihre Entsprechung in der Umdeutung von bekannten Materialien in Ellinor Eulers aktuellen Arbeiten. &nbsp; Merken Merken Merken<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2025","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2025","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2025"}],"version-history":[{"count":6,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2025\/revisions"}],"predecessor-version":[{"id":2839,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/2025\/revisions\/2839"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2025"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}