{"id":1965,"date":"2016-01-23T16:08:12","date_gmt":"2016-01-23T16:08:12","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=1965"},"modified":"2024-02-27T11:06:03","modified_gmt":"2024-02-27T11:06:03","slug":"week-90","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=1965","title":{"rendered":"Window 90"},"content":{"rendered":"<h2>&nbsp;<\/h2>\n<p><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window-week90klein.jpg\" rel=\"lightbox[1965]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1975\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window-week90klein-500x611.jpg\" alt=\"window week90klein\" width=\"500\" height=\"611\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window-week90klein-500x611.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window-week90klein-123x150.jpg 123w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window-week90klein.jpg 710w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><br \/>\n<strong>&#8218;FUSE&#8230;&#8216; von Tatjana Busch<\/strong><br \/>\n2015 <a href=\"http:\/\/www.tatjanabusch.com\" target=\"_blank\" rel=\"noopener\">www.tatjanabusch.com<\/a><\/p>\n<p>Im Fokus der Arbeiten der K\u00fcnstlerin Tatjana Busch steht die intuitive Form. Dabei geht es um das eigentliche Wesen einer Form und deren Potenzial. Dieses dr\u00fcckt sich in der Lichtinstallation &#8218;FUSE&#8216; in unterschiedlichen Aspekten aus. &#8218;FUSE&#8216; zeigt eine Synthese aus Form, Farbe, Bewegung, Sound und Licht. M\u00e4andernde Lichtformen bauen sich langsam auf, verbinden sich, formen etwas Neues, um sich dann im n\u00e4chsten Moment wieder zu ver\u00e4ndern und aufzul\u00f6sen. Der Betrachter wird Teil eines flie\u00dfenden Prozesses \u2026<br \/>\nDie Installation handelt vom \u201eWerden und Vergehen\u201c, dem Panta rhei der Fr\u00fchzeit und einem Liquid Space der Neuzeit.<\/p>\n<p>Tatjana Busch\u2019s work focuses on intuitive forms, concerning the actual nature of a form as well as its potential. This expresses itself in her light installation in different ways. &#8218;FUSE&#8216; is a synthesis of form, color, movement, sound and light. Meandering light shapes build up slowly, combine, result in some new forms and then in the next moment they change again and dissolve. The viewer becomes part of a flowing process. The installation visualises the notion of \u2018becoming and passing away&#8216;, the Panta Rhei of ancient Greece and the liquid space of&nbsp; &#8218;Now&#8216;.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &#8218;FUSE&#8230;&#8216; von Tatjana Busch 2015 www.tatjanabusch.com Im Fokus der Arbeiten der K\u00fcnstlerin Tatjana Busch steht die intuitive Form. Dabei geht es um das eigentliche Wesen einer Form und deren Potenzial. Dieses dr\u00fcckt sich in der Lichtinstallation &#8218;FUSE&#8216; in unterschiedlichen Aspekten aus. &#8218;FUSE&#8216; zeigt eine Synthese aus Form, Farbe, Bewegung, Sound und Licht. M\u00e4andernde Lichtformen &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=1965\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 90\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1965","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1965"}],"version-history":[{"count":12,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1965\/revisions"}],"predecessor-version":[{"id":3647,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1965\/revisions\/3647"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1965"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}