{"id":1957,"date":"2015-12-13T18:43:00","date_gmt":"2015-12-13T18:43:00","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=1957"},"modified":"2020-03-03T13:41:14","modified_gmt":"2020-03-03T13:41:14","slug":"week-89","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=1957","title":{"rendered":"Window 89"},"content":{"rendered":"<h2>&nbsp;<\/h2>\n<p><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window89horse-kl.jpg\" rel=\"lightbox[1957]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1958\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window89horse-kl-500x617.jpg\" alt=\"window89horse kl\" width=\"500\" height=\"617\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window89horse-kl-500x617.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window89horse-kl-121x150.jpg 121w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window89horse-kl.jpg 720w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><br \/>\n<strong>HORSE by <a href=\"http:\/\/www.christofzwiener.de\/\" target=\"_blank\" rel=\"noopener\">Christof Zwiener<\/a><\/strong><br \/>\n2015 (ortsspezifische Installation aus N\u00e4hseide\/ silk thread)<\/p>\n<p>Das Sichtbarmachen des leicht zu \u00dcbersehenden und das unsichtbar Werdende in unserer Wahrnehmungswelt, geh\u00f6ren zu den zentralen Motiven in der k\u00fcnstlerischen Arbeit von Christof Zwiener. Ephemere und komplexe Installationen aus d\u00fcnnem Garn oder das Entschl\u00fcsseln historischer Spuren im \u00f6ffentlichem Raum &#8211; beide haben den gleichen gedanklichen Ursprung in seinem Werk und stellen immer wieder die Frage danach, wie weit unsere Wahrnehmung reicht. Die aktuelle Installation von Christof Zwiener f\u00fcr BERLIN-WEEEKLY ist ein subtiles Abbild eines Wesens &#8211; ann\u00e4hernd schwerelos \u00fcberwindet die Arbeit HORSE die Grenze der Wahrnehmung umgeben von einer magischen Aura.<\/p>\n<p>One of the central motives in Christof Zwiener\u2019s artistic work is the visualisation of the invisible, the easily overlooked parts of our perceptual world. Ephemeral and complex installations of thin yarn or the deciphering of historical traces within public space &#8211; both have the same intellectual origin in his work and repeatedly ask the question of how far our perception can go. Christof Zwiener\u2019s upcoming site-specific installation \u2018Horse\u2019 at BERLIN-WEEKLY is a subtle and almost weightless image of a creature overcoming the limitations of perception by an aura of magic.<br \/>\nngg_shortcode_0_placeholder<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; HORSE by Christof Zwiener 2015 (ortsspezifische Installation aus N\u00e4hseide\/ silk thread) Das Sichtbarmachen des leicht zu \u00dcbersehenden und das unsichtbar Werdende in unserer Wahrnehmungswelt, geh\u00f6ren zu den zentralen Motiven in der k\u00fcnstlerischen Arbeit von Christof Zwiener. Ephemere und komplexe Installationen aus d\u00fcnnem Garn oder das Entschl\u00fcsseln historischer Spuren im \u00f6ffentlichem Raum &#8211; beide haben &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=1957\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 89\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1957","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1957"}],"version-history":[{"count":4,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1957\/revisions"}],"predecessor-version":[{"id":2844,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1957\/revisions\/2844"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1957"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}