{"id":1949,"date":"2015-11-05T13:10:54","date_gmt":"2015-11-05T13:10:54","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=1949"},"modified":"2020-03-03T13:41:25","modified_gmt":"2020-03-03T13:41:25","slug":"week-88","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=1949","title":{"rendered":"Window 88"},"content":{"rendered":"<h2>&nbsp;<\/h2>\n<p><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window88-klein.jpg\" rel=\"lightbox[1949]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1950\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window88-klein-500x604.jpg\" alt=\"window88 klein\" width=\"500\" height=\"604\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window88-klein-500x604.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window88-klein-124x150.jpg 124w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window88-klein.jpg 700w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><br \/>\n<strong>Still Life \u2013 video by Vera Arjoma<\/strong><br \/>\n2014 <a href=\"http:\/\/www.veraarjoma.com\" target=\"_blank\" rel=\"noopener\">www.veraarjoma.com<br \/>\n<\/a><br \/>\n200 hundred cut-flowers open up, flourish and wither away \u2013 all by their individual style and pace. Some flowers are late bloomers, when others burst into bloom in a violent rush.<br \/>\nUsing a traditional subject of painting, Still Life deals with borderline between life and death.<br \/>\nVera Arjoma is a Finnish interdisciplinary artist, who combines intuitive thinking with contextualism. For her all times are present.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Still Life \u2013 video by Vera Arjoma 2014 www.veraarjoma.com 200 hundred cut-flowers open up, flourish and wither away \u2013 all by their individual style and pace. Some flowers are late bloomers, when others burst into bloom in a violent rush. Using a traditional subject of painting, Still Life deals with borderline between life and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=1949\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 88\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1949","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1949"}],"version-history":[{"count":4,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1949\/revisions"}],"predecessor-version":[{"id":2845,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1949\/revisions\/2845"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1949"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}