{"id":1848,"date":"2014-11-19T14:24:43","date_gmt":"2014-11-19T14:24:43","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=1848"},"modified":"2020-03-03T13:45:49","modified_gmt":"2020-03-03T13:45:49","slug":"week-78","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=1848","title":{"rendered":"Window 78"},"content":{"rendered":"

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FLOATING by Jenny Keuter<\/strong>
\n2014, Wollf\u00e4den, schwarze Farbe
\nwww.jennykeuter.com<\/a><\/p>\n

Die Arbeit FLOATING von Jenny Keuter besteht aus feinen, farbigen Linien, die ineinander verschachtelte abstrakte Formen bilden. Diese filigranen Formen erstrecken sich gr\u00f6\u00dftenteils in der oberen H\u00e4lfte des Ausstellungsraumes und scheinen darin zu schweben. Mit jedem Betrachtungswinkel \u00e4ndert sich der Eindruck des Liniengebildes und er\u00f6ffnet neuen Interpretationsspielraum. Die Installation wurde f\u00fcr die R\u00e4umlichkeiten des Berlin-Weekly konzipiert und will die r\u00e4umliche Beschaffenheit ausloten.<\/p>\n

Jenny Keuter\u2019s site-specific installation FLOATING tries to examine the spatial structure and character of the exhibition space at Berlin-Weekly. Fine colourful strings form some interlaced abstract shapes. They are attached mainly in the upper part of the room where they seem to float in the air. When viewed from different angles the impression of this delicate formation will change.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

  FLOATING by Jenny Keuter 2014, Wollf\u00e4den, schwarze Farbe www.jennykeuter.com Die Arbeit FLOATING von Jenny Keuter besteht aus feinen, farbigen Linien, die ineinander verschachtelte abstrakte Formen bilden. Diese filigranen Formen erstrecken sich gr\u00f6\u00dftenteils in der oberen H\u00e4lfte des Ausstellungsraumes und scheinen darin zu schweben. Mit jedem Betrachtungswinkel \u00e4ndert sich der Eindruck des Liniengebildes und er\u00f6ffnet … <\/p>\n

\u201eWindow 78\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1848","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1848"}],"version-history":[{"count":8,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1848\/revisions"}],"predecessor-version":[{"id":2855,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1848\/revisions\/2855"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1848"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}