{"id":1817,"date":"2014-09-04T09:08:11","date_gmt":"2014-09-04T09:08:11","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=1817"},"modified":"2020-03-03T13:47:15","modified_gmt":"2020-03-03T13:47:15","slug":"week-75","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=1817","title":{"rendered":"Window 75"},"content":{"rendered":"

 <\/h2>\n

\"\"<\/a>
\n\u201cWe never promised ourselves a symphony\u201d, an interaktive sound installation by Leon Eixenberger and Domenikos de Visser<\/strong>
\nwww.leoneixenberger.net<\/a> www.facebook.com\/humonkeyinstruments\/info<\/a><\/p>\n

Mit Leon Eixenberger\u2019s interaktiver Sound-Installation hat Berlin-Weekly das erste Project Space Festival a href=“http:\/\/www.projectspacefestival-berlin.com\/home-de\/“>www.projectspacefestival-berlin.com\/home-de\/
\nim August 2014 \u2018ausklingen\u2019 lassen. Die Installation bestand aus diversen Klangk\u00f6rpern, die der K\u00fcnstler zusammen mit dem Instrumentenbauer Domenikos de Visser f\u00fcr diesen Raum entwickelt hat. Der Raum stand von 12 \u2013 24 Uhr offen \u2013 das Publikum , darunter auch viele zuf\u00e4llig vorbeiziehende Passanten, waren eingeladen sich hier niederzulassen und gemeinsam zu spielen.<\/p>\n

As the last part of the Project Space Festival Berlin, Leon Eixenberger showed in collaboration with the the experimental instrument builder Domenikos de Visser an interactive sound installation. All day long the public used intensively the opportunity to join in and play those instruments. The work expressed Berlin-Weekly\u2019s attempt to open itself into the public space and tune people into a conversation“<\/p>\n

„Together we remember playing the lamps in the tiny, hardly used room, with the narrow east window.
\nOur ponderosity lies in the hollow volume of their bodies.
\nLet us look for the moment, where we can drop the weight of being conscious about all the things that happen in the world.
\nYour marble care falls down onto the tickling floor.
\nThe autonomous tensioning devices release our feet’s half knowledge.
\nThey can open your children to travel through sonic complexities.
\nFree sailing, on waves cleared from the international languages of cooperate orchestras.
\nYou equalized yourself!
\nInside an embarrassing beauty of dissonance.“ Leon Eixenberger<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

  \u201cWe never promised ourselves a symphony\u201d, an interaktive sound installation by Leon Eixenberger and Domenikos de Visser www.leoneixenberger.net www.facebook.com\/humonkeyinstruments\/info Mit Leon Eixenberger\u2019s interaktiver Sound-Installation hat Berlin-Weekly das erste Project Space Festival a href=“http:\/\/www.projectspacefestival-berlin.com\/home-de\/“>www.projectspacefestival-berlin.com\/home-de\/ im August 2014 \u2018ausklingen\u2019 lassen. Die Installation bestand aus diversen Klangk\u00f6rpern, die der K\u00fcnstler zusammen mit dem Instrumentenbauer Domenikos de Visser … <\/p>\n

\u201eWindow 75\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1817","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1817"}],"version-history":[{"count":7,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1817\/revisions"}],"predecessor-version":[{"id":2858,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1817\/revisions\/2858"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1817"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}