{"id":1764,"date":"2014-04-17T13:10:10","date_gmt":"2014-04-17T13:10:10","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=1764"},"modified":"2020-03-03T13:47:58","modified_gmt":"2020-03-03T13:47:58","slug":"week-70","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=1764","title":{"rendered":"Window 70"},"content":{"rendered":"<h2>&nbsp;<\/h2>\n<p><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window70.jpg\" rel=\"lightbox[1764]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1765\" title=\"window70\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/window70-500x633.jpg\" alt=\"\" width=\"500\" height=\"633\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window70-500x633.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window70-118x150.jpg 118w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/window70.jpg 710w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p><strong>&#8218;Notes on duration&#8216; by Nina Schuiki<\/strong><br \/>\n2014, <a href=\"http:\/\/www.ninaschuiki.com\">www.ninaschuiki.com<\/a><\/p>\n<p>Notes on duration basiert auf einer Bestandsaufnahme von einfallendem Licht in den Projektraum, &#8211; sowohl als historische Aufzeichnung so wie als Eingriff, der das Verh\u00e4ltnis von Raum und Zeit verzerrt. F\u00fcr die Fortsetzung ihrer Arbeitsserie \u2018Echos&#8216; hat die K\u00fcnstlerin die Umrissformen des einfallenden, reflektierenden Lichts in dem Projektraum vermessen und verzeichnet. Diese erg\u00e4nzt sie mit aufgenommenen Lichtfl\u00e4chen aus der umgebenden Architektur der Linienstra\u00dfe. Damit erzeugt sie eine narrative Struktur zwischen den real einfallenden und den projizierten Lichtumrissen. Indem sie den Reflektionen eine sp\u00fcrbare Form gibt, wird das Medium Licht zum Akteur. Die dadurch entstehende Kartographie bereitet dem was eigentlich ephemer und stets im Wandel begriffen ist eine B\u00fchne. Anwesenheit und Abwesenheit verschr\u00e4nken sich f\u00fcr die Dauer der Ausstellung auf eigent\u00fcmliche Weise.<\/p>\n<p>Engl.<\/p>\n<p>Notes on Duration refers to the inventory of passing moments of incident light, both as a historical record and as an interposition that distorts relations \u00adbetween time and space. For this version of the on-going Echoes series, the artist has measured and documented actual silhouettes as they are reflected into the \u00adproject space throughout the day, creating a narrative that plays with the \u00adreal-time \u00adnatural light in the room and the subtle intervention of other \u00adsilhouettes \u00adrecorded from neighbouring architecture on Linienstra\u00dfe. The resulting map casts light as its actor, outlining the shapes of incidents in time\u2014not only as an alter-geography of urban flux but also as an elusive dialogue between presence and absence.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &#8218;Notes on duration&#8216; by Nina Schuiki 2014, www.ninaschuiki.com Notes on duration basiert auf einer Bestandsaufnahme von einfallendem Licht in den Projektraum, &#8211; sowohl als historische Aufzeichnung so wie als Eingriff, der das Verh\u00e4ltnis von Raum und Zeit verzerrt. F\u00fcr die Fortsetzung ihrer Arbeitsserie \u2018Echos&#8216; hat die K\u00fcnstlerin die Umrissformen des einfallenden, reflektierenden Lichts in &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=1764\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 70\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1764","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1764"}],"version-history":[{"count":5,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1764\/revisions"}],"predecessor-version":[{"id":2863,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1764\/revisions\/2863"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1764"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}