{"id":1678,"date":"2014-02-20T09:16:32","date_gmt":"2014-02-20T09:16:32","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=1678"},"modified":"2020-03-03T13:48:23","modified_gmt":"2020-03-03T13:48:23","slug":"week-68","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=1678","title":{"rendered":"Window 68"},"content":{"rendered":"

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\u2018Clair Obscur\u2019 by Lene Fischer<\/a> und J\u00f6rn Weidenm\u00fcller<\/a><\/strong>
\n(projector, aluminium powder, optical filter)<\/p>\n

Die Installation \u2018Clair Obscur\u2018 besch\u00e4ftigt sich mit dem Unsichtbaren im Sichtbaren. Die beiden Designer Lene Fischer und J\u00f6rn Weidenm\u00fcller erforschen die Grenzen menschlicher Wahrnehmung im Grenzbereich zwischen Technologie und Kunst. Basis f\u00fcr die Installation bildet eine neue Projektionstechnologie, durch die das erzeugte Bild f\u00fcr das menschliche Auge zun\u00e4chst unsichtbar bleibt. Erst beim Blick durch ein spezielles Fenster mit einem Hightech Filter entpupppt sich das wei\u00dfe Licht der Projektion als bewegtes Bild.<\/p>\n

The installation \u2018Clair Obscur\u2018 by designers Lene Fischer and J\u00f6rn Weidenm\u00fcller deals with the invisible inside the visible. Different levels of reality and the limitations of human perception are explored at the crossroads of technology and art. The basis for the installation is a new projection technology. Not perceptible for the human eye, the generated moving images only become visible when viewed through a special window with a hightec filter.<\/p>\nngg_shortcode_0_placeholder\n

www.fischer-weidenmueller.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

  \u2018Clair Obscur\u2019 by Lene Fischer und J\u00f6rn Weidenm\u00fcller (projector, aluminium powder, optical filter) Die Installation \u2018Clair Obscur\u2018 besch\u00e4ftigt sich mit dem Unsichtbaren im Sichtbaren. Die beiden Designer Lene Fischer und J\u00f6rn Weidenm\u00fcller erforschen die Grenzen menschlicher Wahrnehmung im Grenzbereich zwischen Technologie und Kunst. Basis f\u00fcr die Installation bildet eine neue Projektionstechnologie, durch die das … <\/p>\n

\u201eWindow 68\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1678","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1678"}],"version-history":[{"count":9,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1678\/revisions"}],"predecessor-version":[{"id":2866,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1678\/revisions\/2866"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1678"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}