{"id":1630,"date":"2013-09-26T20:09:19","date_gmt":"2013-09-26T20:09:19","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=1630"},"modified":"2020-03-03T13:51:27","modified_gmt":"2020-03-03T13:51:27","slug":"week-63","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=1630","title":{"rendered":"Window 63"},"content":{"rendered":"<h2>&nbsp;<\/h2>\n<p><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/oliver-H.-week-3window63.jpg\" rel=\"lightbox[1630]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1631\" title=\"oliver H. week 3window63\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/oliver-H.-week-3window63-500x633.jpg\" alt=\"\" width=\"500\" height=\"633\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/oliver-H.-week-3window63-500x633.jpg 500w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/oliver-H.-week-3window63-118x150.jpg 118w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/oliver-H.-week-3window63.jpg 710w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p><strong>&#8218;Materialien&#8216; Installation mit Arbeiten von Oliver Herrmann<\/strong><br \/>\n5. M\u00e4rz 1963 &#8211; 4. September 2003<br \/>\ninszeniert von Karl-Ernst Herrmann, Momme R\u00f6hrbein, Christine Sch\u00e4fer und Robert Zimmermann<\/p>\n<p>Oliver Herrmann war Portrait Fotograf und arbeitete viele Jahre als Theaterfotograf mit Regisseuren wie George Tabori, Claus Peymann und Luc Bondy. Von 1981-1998 portraitierte er die zahlreiche bekannte deutsche Schauspieler und Pers\u00f6nlichkeiten. Als Regisseur realisierte er einige preisgekr\u00f6nte Musikfilme zusammen mit der Sopranistin Christine Sch\u00e4fer, seiner Lebenspartnerin. ( &#8218;Eine Nacht. Ein Leben&#8216;, &#8218;Le Sacre du Printemps&#8216; ). Oliver Herrmann starb 2003 im Alter von 40 Jahren.<br \/>\nIm berlin weekly Fenster kann man ca. 100 seiner Fotos nun innerhalb der Installation als Diashow betrachten. Seine Musikfilme sind zu sehen unter dem<br \/>\nPasswort: eins54<br \/>\nLe Sacre du Printemps: <a href=\"http:\/\/vimeo.com\/eins54\/sacre\">http:\/\/vimeo.com\/eins54\/sacre<\/a><br \/>\nPierrot Lunaire: <a href=\"http:\/\/vimeo.com\/eins54\/pierrot\">http:\/\/vimeo.com\/eins54\/pierrot<\/a><br \/>\nDichterliebe: <a href=\"http:\/\/vimeo.com\/eins54\/dichterliebe\">http:\/\/vimeo.com\/eins54\/dichterliebe<\/a><\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &#8218;Materialien&#8216; Installation mit Arbeiten von Oliver Herrmann 5. M\u00e4rz 1963 &#8211; 4. September 2003 inszeniert von Karl-Ernst Herrmann, Momme R\u00f6hrbein, Christine Sch\u00e4fer und Robert Zimmermann Oliver Herrmann war Portrait Fotograf und arbeitete viele Jahre als Theaterfotograf mit Regisseuren wie George Tabori, Claus Peymann und Luc Bondy. Von 1981-1998 portraitierte er die zahlreiche bekannte deutsche &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=1630\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 63\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1630","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1630"}],"version-history":[{"count":5,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1630\/revisions"}],"predecessor-version":[{"id":2872,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1630\/revisions\/2872"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1630"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}