{"id":1571,"date":"2013-07-31T21:55:37","date_gmt":"2013-07-31T21:55:37","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=1571"},"modified":"2020-03-03T13:52:51","modified_gmt":"2020-03-03T13:52:51","slug":"week-61","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=1571","title":{"rendered":"Window 61"},"content":{"rendered":"<h2>&nbsp;<\/h2>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/week61-klein.jpg\" rel=\"lightbox[1571]\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1572\" title=\"Stuck: Zwischen den W\u00e4nden - Alanna Lawley\" src=\"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/wp-content\/uploads\/week61-klein.jpg\" alt=\"Stuck: Zwischen den W\u00e4nden - Alanna Lawley\" width=\"500\" height=\"632\" srcset=\"http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/week61-klein.jpg 710w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/week61-klein-118x150.jpg 118w, http:\/\/www.berlin-weekly.com\/wp-content\/uploads\/week61-klein-500x632.jpg 500w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<div><span style=\"font-family: Arial;\"><strong>&#8218;Stuck: Zwischen den W\u00e4nden&#8216; von&nbsp;<\/strong><a href=\"http:\/\/www.alannalawley.com\/\" target=\"_self\"><strong>Alanna Lawley<\/strong> <\/a><\/span><\/div>\n<div><span style=\"font-family: Arial;\"><a href=\"http:\/\/www.alannalawley.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.alannalawley.com\/<\/a><\/span><\/div>\n<p>Den Einfluss r\u00e4umlicher und architektonischer Beziehungen eines jeden Individuums innerhalb seines privaten Gefildes als Ausgangspunkt nehmend, kontrolliert Alanna Lawley die Erfahrung mit dem zeitweiligen gegenst\u00e4ndlichen Umfeld, das sie selbst konstruiert. Durch das Eingrenzen von Raum untersucht Lawley, wie vors\u00e4tzlich fragmentarische Fl\u00e4chen eine Erfahrung von Abgrenzung, Beklemmung und Isolation erschaffen, die den Betrachter s\u00e4mtlicher Freiheit berauben, sich jemals vollst\u00e4ndig in einer konkreten Zeit oder an einem bestimmten Ort orientieren zu k\u00f6nnen.<\/p>\n<p>Lawley schloss im Jahre 2005 das&nbsp;Chelsea College of Art and Design in London mit einem BA in Malerei ab. Seither stellt sie auf internationaler Ebene aus, unter anderem in Gro\u00dfbritannien, Deutschland und den USA.<\/p>\n<p>engl.<\/p>\n<p>Taking the influence of spatial and architectural relationships on the individual within the private realm of the home as a starting point, Alanna Lawley mediates the experience of the temporary, representational environments that she constructs. By isolating space, Lawley investigates how deliberately fragmented spaces can generate experiences of disassociation, anxiety and isolation that deny the viewer the freedom ever to fully orientate themselves in a specific time or place.<\/p>\n<p>Lawley graduated with a BA in painting from Chelsea College of Art and Design, London in 2005. Since then she has exhibited internationally including the UK, Germany and the US.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &#8218;Stuck: Zwischen den W\u00e4nden&#8216; von&nbsp;Alanna Lawley http:\/\/www.alannalawley.com\/ Den Einfluss r\u00e4umlicher und architektonischer Beziehungen eines jeden Individuums innerhalb seines privaten Gefildes als Ausgangspunkt nehmend, kontrolliert Alanna Lawley die Erfahrung mit dem zeitweiligen gegenst\u00e4ndlichen Umfeld, das sie selbst konstruiert. Durch das Eingrenzen von Raum untersucht Lawley, wie vors\u00e4tzlich fragmentarische Fl\u00e4chen eine Erfahrung von Abgrenzung, Beklemmung und &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.berlin-weekly.com\/?p=1571\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eWindow 61\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1571","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1571"}],"version-history":[{"count":8,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1571\/revisions"}],"predecessor-version":[{"id":2875,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1571\/revisions\/2875"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1571"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}