{"id":1208,"date":"2012-02-23T12:49:10","date_gmt":"2012-02-23T12:49:10","guid":{"rendered":"http:\/\/www.stefanieseidl.com\/berlinweeklycom\/?p=1208"},"modified":"2020-03-03T13:58:02","modified_gmt":"2020-03-03T13:58:02","slug":"week-41","status":"publish","type":"post","link":"http:\/\/www.berlin-weekly.com\/?p=1208","title":{"rendered":"Window 41"},"content":{"rendered":"

 <\/h1>\n

\"\"<\/a>
\nCOMING SOON by Christina Hoenicke and Jana Barthel<\/strong>
\n2012 (OSB boards, blankets, fluorescent tube, props) www.tu-buehnenbild.de<\/a>, www.gonzalezhaase.com<\/a>, www.katerlezmann.com<\/a><\/p>\n

This project has been developed within a light design workshop of the TU Berlin. Artistic direction: Pierre Jorge Gonzalez and Judith Haase (ASS lighting). Students: Jana Barthel, Paul Bauer, Christina Hoenicke, Elena Koch, Elena K\u00f6hler, Eleni Konstantou, Simone Messner, Ria Papadopoulou, Anne-Kathrin Schaper-Jesussek, Stella Sch\u00fcler, Jenny Wolf.<\/p>\n

Viele Metropolen sind heutzutage durch eine Architektur der Zeichen als r\u00e4umliches Kommunikationssystem wahrnehmbar. Die Fassade ist in Stadtzentren Kommunikationstr\u00e4ger und wird haupts\u00e4chlich mit neuesten Lichttechnologien umgesetzt. Die Fassade als Schnittstelle zwischen Stadtraum und Innenraum kann leicht oder massiv, geschlossen oder offen, einladend oder abweisend sein. Werkzeug ist dabei ein komplexes integriertes Licht- und Kommunikationssystem, um diese Themen herauszuarbeiten.<\/p>\n

Die r\u00e4umlichen Gegebenheiten des Berlin-Weekly.Com erzeugen ein Gef\u00fchl, das h\u00e4ufig an der Schnittstelle zwischen \u00f6ffentlichem und privatem Bereich auftritt: Frustration. Man kann den Raum nicht betreten und auch visuell nicht voll erfassen. COOMING SOON verst\u00e4rkt diese Frustration und stellt sie einem Versprechen f\u00fcr eine bessere (?) Zukunft gegen\u00fcber. Die verbarrikadierte Fassade weist auf eine Schlie\u00dfung oder einen Umbau hin und versperrt weitgehend die Sicht in das Innere. Bis auf einen schmalen Schlitz, durch den goldenes Licht nach au\u00dfen dringt.<\/p>\n

Berlin is under construction. There is close-down, rebuilding and opening. Now Berlin-weekly.com has to bite the dust. The showcase of the small gallery in Berlin-Mitte is boarded up. A sheet of paper is glued to the wood-panels, that now blocks the view inside the showroom. COMING SOON is written on that paper. The boards were quickly and carelessly fixed. A golden glimmer of light is coming out of the slits. The curious can peek through them and see the inside of the room. The new often promises to be the better one. In the installation COMING SOON Christina Hoenicke and Jana Barthel show a vision of the future.<\/p>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"

  COMING SOON by Christina Hoenicke and Jana Barthel 2012 (OSB boards, blankets, fluorescent tube, props) www.tu-buehnenbild.de, www.gonzalezhaase.com, www.katerlezmann.com This project has been developed within a light design workshop of the TU Berlin. Artistic direction: Pierre Jorge Gonzalez and Judith Haase (ASS lighting). Students: Jana Barthel, Paul Bauer, Christina Hoenicke, Elena Koch, Elena K\u00f6hler, Eleni … <\/p>\n

\u201eWindow 41\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1208","post","type-post","status-publish","format-standard","hentry","category-weekly-window"],"_links":{"self":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1208"}],"version-history":[{"count":8,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1208\/revisions"}],"predecessor-version":[{"id":2897,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=\/wp\/v2\/posts\/1208\/revisions\/2897"}],"wp:attachment":[{"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1208"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.berlin-weekly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}